The Holy Grail of “Pizza Napoletana”

January 6 2012No Commented

Categorized Under: FOOD + CHEFS

Authentic.

Anyone who follows me at all knows this is my (least) favorite word in the food lexicon. “Authentic” is not only in the eye of the beholder (who typically has inaccurate perceptions) but also implies that adhering to an older style lends food some kind of extra “legitimacy.” Of course, any true student of food history knows there are rarely times when a recipe is perfected and frozen. If food-making is in continuous flux today, imagine how less uniform it must have been before recipes were so precisely established. In short, anything can be “authentic” or inauthentic, depending on whatever spin you put on it.

But on a holiday visit back to my home state Connecticut, I made a point of earmarking a day for a pilgrimage to the “authentic” pizzerias of New Haven. These family-owned pizzerias typically have lines out the door waiting hours to eat, so I reasoned that the only civilized time to visit might be a mid-week mid-afternoon in the dead of winter when Yale University was still on break. Bingo: my old high school bud Zyg and I were able to walk right into Pepe’s, still in the heart of Wooster Street (NH’s tiny, restaurant-lined Little Italy) and take our choice of the hard wood booths.

Often imitated....That's all I'm gonna say.

Often imitated....That's all I'm gonna say.

CLICK HERE FOR MY FLICKR SLIDESHOW OF ALL THE PICS

Unlike New Haven’s Louis Lunch (which has a strong claim on serving the first hamburger sandwiches), Frank Pepe’s Pizzeria Napoletana—founded 1925–doesn’t claim to be the first of its kind, but it is certainly one of the oldest continuously-run family pizza places “authentic” to its own way of doing things. That starts with spelling the word “Apizza” and pronouncing it, in rough immigrant dialect “abeets.”

The infamous oven at Frank Pepe. Note hot coals at right.

The infamous oven at Frank Pepe. Note hot coals at right.

Pepe’s makes a tomato pie claiming to be authentically Neopolitan, but which may actually adhere closer either to the style of his actual hometown Maiori (near Salerno) or just to what was available in ‘20s Connecticut. Thus, it’s a coating of tomato, olive oil, and garlic with oregano and a small portion of grated parmesan rather than basil and mozzerella (you can get both added on today—as well as shrimp, spinach, whatev).

It’s simple, almost disarmingly so. But it’s also very good: a chewy-crisp crust that’s deeply yellowed by the oil and variably charred, in a modest way that adds actual flavor rather than the “burnt” taste you get elsewhere. The sauce itself is considerably wetter than typical, but it also bursts with fresh tomato flavor and a natural sweetness. It isn’t the most satisfying, perfect, incredible pizza of your life, but there’s something about it that makes you want to love it.

Pepe's fresh clam, left, tomato, right.

Pepe's fresh clam, left, tomato, right.

Pepe’s other signature pie is the White Clam, a tomato-free creation that apparently came about in the ‘60s when they served local littlenecks as an appetizer. Now, you can only get them on the pie, fresh nonetheless, with garlic, oregano, oil and a still-reserved amount of cheese—no tomato. This is the real go-to, arriving in a halo of garlic aroma, the clams tender and mild. Even knowing we had two more stops ahead of us, Zyg and I had a hard time not inhaling this one. Pure joy.

Frank Pepe began some curious customs that have become ingrained in the New Haven style: serving on rectangular metal baking trays rather than rounds (which presumably were harder to find, or more expensive back innaday) and almost intentionally not making the pizzas anywhere near perfectly round. Of course, if you look back at the shop’s own copious archival photos, Frank’s own apizza wasn’t so darn asymmetrical–and it also appears to have had puffier edges–not that I wanna bust balls.

Modern's operation. Note STAFF shirts--just so's you don't think any old schmo is back there makin' abeets.

Modern's operation. Note STAFF shirts--just so's you don't think any old schmo is back there makin' abeets.

A few miles away, Modern has been around since 1935, but everything inside (save the oven and an old sign) has been redone. I guess they could only take the irony of the name for so long. Less rooted in tradition, Modern’s waiters make sure you know that a “regular” or “plain” pie will not have “mootzarell,” as they insist on calling the cheese here (which is the slightly aged variety, not fresh) unless you ask for it.

What arrives is fine, but not nearly as unique as Pepe’s—the saltier sauce could be canned, and the crust is chewier and greasier. I chew and chew as I stare at their recent “Best of New Haven” award from the local weekly and ponder.

When I say this pizza is The Bomb, I'm just sayin' that's what they call it (but accurately).

When I say this pizza is The Bomb, I'm just sayin' that's what they call it (but accurately).

Modern’s specialty is the Italian Bomb: thin-sliced pepperoni, crumbled sausage, bacon, peppers and onions on a (necessarily) slightly thicker crust, with “mootzarell”. In terms of sheer decadence, this is a great way to go. The flavor/texture combination and balance is pretty darn fantastic. Talk about umami.

Modern's tomato pie... sorry, did you ask for the lite version?

Modern's tomato pie... sorry, did you ask for the lite version?

We notice one Budweiser Red Sox pennant-celebrating neon sign, figuring this is the southernmost point where such displays are safe—and the waiter gives a quick tour of much more Sox autographs and such. Apparently the team owners are huge fans, and during the season, demand Modern pizzas be hand delivered to Fenway.

SallysApizzaSign

Do not ask if the woman behind the register is "Sally." Sally was her dad.

Back on Wooster, Zyg and I were the first of a small line waiting for the 5 pm opening time of Sally’s. Like Pepe’s, Sally’s is still family run—and it’s actually the same family. Salvatore and Tony Consiglio learned the trade from their uncle Frank before opening their own shop a block away in 1938 (there’s also a slightly fancier Consiglio’s restaurant on Wooster which is surely related). Today, Sally’s daughter takes the orders and money (cash only!) and son runs the ovens (“Two pies to go? 15 minutes. No, 20”—we were the first orders of the evening!), The memorabilia on the walls hasn’t changed in decades—casual snapshots of Frank Sinatra’s family and friends (Consiglio’s brother was Sinatra’s secretary, I’m told but can’t verify), an actual autograph from JFK, etc—but the décor was redone, I would guess in the early ‘70s.

What did you say? The pieces aren't the same size? Are you serious??

What did you say? The pieces aren't the same size? Are you serious??

Their tomato pie, as oddly shaped as possible, must win lycopene points—it’s blindingly bright red—but still is more salty-garlicky-sugary than Pepe’s. The clam pie is made with tiny baby clams that char. It comes in a gorgeous cloud of garlic, but the flavor at first is actually more subtle (‘elegant’ is actually the word that came to mind) than Pepe’s. The crust has a good combination of crispy-chewy-and char, but not much flavor beyond that.

Where the expression "clam it" came from. Okay, I just made that up.

Where the expression "clam it" came from. Okay, I just made that up.

As well as the usual optional toppings–and tuna–Sally’s seems to be known in aficionado circles for off-menu varieties like potato and onion or chopped roasted peppers…but apparently you have to do some befriending before these are forthcoming.

The oven, and spotless kitchen, at Sally's

The oven, and spotless kitchen, at Sally's

BTW: All of them serve local Foxon Park sodas, including Birch Beer and Gassosa (Italian Lemon), which is a nice touch.

There was a local who waited with us that swore Sally’s beat Pepe’s hands down, but I think that was sentiment talking. As it often does,with pizza. To my palate, there is no denying Pepe’s, although I’m much relieved to read that the old man switched from cooking over sulfurous coke to coal in the ‘60s. So much for Authenticity.

In recent years, Pepe’s (like Anthony’s of Brooklyn) has opened several branches, in Fairfield, Manchester, Danbury and at the Mohegan Sun casino, as well as in Yonkers, NY, but most word seems to be that they’re not quite the same. Of course not, if they really were, who would make a pilgrimage?

The Original Frank Pepe Pizzeria Napoletana 157 Wooster Street  New Haven, CT 06511-5709
(203) 865-5762

Modern Apizza 874 State St  New Haven, CT 06511-3925 (203) 776-5306

Sally’s Apizza 237 Wooster Street  New Haven, Connecticut 06511 (203) 624-5271

Zyg and I, stuffed with pie

Zyg and I, stuffed with pie

Hollywood Gets Fuku’ed By Vegas

November 10 2011No Commented

Categorized Under: FOOD + CHEFS, LAS VEGAS

Click to link to LV Weekly Review

Click to link to LV Weekly Review

Fukuburger is one of the best of the few food trucks in Las Vegas. But for their first restaurant without wheels, they teamed with Harry Morton to open in Hollywood. My report ran in the Las Vegas Weekly, but I couldn’t resist posting all my food porn from the tasting, too…

Top Ten Food Experiences at Aria, City Center

October 24 2011No Commented

Categorized Under: FOOD + CHEFS, LAS VEGAS

While some might have enjoyed merely rubbing shoulders with Gail Simmons and the many Top Chef “Cheftestants,” this past weekend’s Food + Wine All-Star Weekend was a reminder of one important thing: Aria, City Center is one of the strongest destinations on the Las Vegas Strip for fine dining. Of all the restaurants represented at the Weekend, it wasn’t easy putting them in “top ten” order… but decisions must be made! Staying at Aria or nearby? Then consider:

Crispy Sweetbreads at Sage

Crispy Sweetbreads at Sage

1. Sage: The only Western outlet of James Beard-awarded Chef Shawn McClain, Sage is “New American” by general reference, but utilizes enough French technique to be a close cousin of Guy Savoy and other very high-end refined dining experiences here. Signature dishes Foie Gras Crème Brulee and Crispy Sweetbreads are among many musts, and the food is complemented by a strong beverage program and gorgeous romantic/chic room design. New York or San Francisco would celebrate this restaurant, if they had it.

CLICK HERE FOR A VIDEO INTERVIEW WITH CHEF SHAWN MCCLAIN

Sturgeon at American Fish

Bacon-wrapped Sturgeon with apple and fennel at American Fish

2. American Fish: Of all Chef Michael Mina’s justly praised restaurants, this might be most successful at celebrating ingredients over technique (which itself, takes considerable skill). Neither entirely American, nor all fish, American Fish is more a destination restaurant than its casual modern fish camp-inspired décor suggests. Roasted Branzino, turbot poached in Hawaiian sea water, butter poached and wood grilled beef are three of many strengths. Good cocktails, too.

Piquillo peppers estilo Julian Serrano

Piquillo peppers estilo Julian Serrano

3. Julian Serrano: The chef-owner share a name with some of the most celebrated ham in the world. That alone should end any doubt that this open, Spanish-designed lobby space presents some of the most well-executed modern tapas and paellas (order the rabbit) this side of the pond. Prime casual option.

Look fast, because that Jean-Georges T-Bone won't be around long.

Look fast, because that Jean-Georges T-Bone won't be around long.

4. Jean-Georges Steakhouse: Chef Vongerichten himself admits this is something of a “greatest hits” of his other restaurant concepts, which means it doesn’t necessarily inspire like his ABC Kitchen in New York, but if your friends insist on a steakhouse and you want something more adventuresome, this is a fantastic (non-)compromise. Strong cocktails and one of the best pairing somms in Vegas, Kim Wood.

Chef Masa demonstrating in the open kitchen... no, he's not there every night ;)

Chef Masa demonstrating in the open kitchen... no, he's not there every night ;)

CLICK HERE FOR A VIDEO INTERVIEW WITH CHEF MASA

5. BarMasa: Ultra-modern design may seem odd to some, considering the high price point, but there’s no denying Masa—a dream reservation in NYC—offers some of the best sushi anywhere. As in, Any where. There’s also a high-end shabu-shabu concept for those who won big at the tables.

No, you can't order this. It's just a big bunch of fresh black truffles at Sirio. Sorry, couldn't resist!

No, you can't order this. It's just a big bunch of fresh black truffles at Sirio. Sorry, couldn't resist!

6. Sirio: The legendary restarauteur behind Le Cirque brings it back home with approachably authentic, no-corners-cut cucina Italiana. If I have to explain why you’d want that, there’s almost no reason for you to keep reading. Trust me. Trust them.

Colorado lamb at Union

Colorado lamb at Union

7. Union: Not interested in taking 2-3 hours out of your short weekend stay to eat? Too pumped up to sit still? Then creative casino-side Union is your call, the sister restaurant to nightclubs Haze and the Gold Room (tip well, then ask for help getting in). Great tomahawk steaks, heart-stopping ham hock mac ‘n’ cheese, and sexy waitstaff. Drink it in!

8. Lemongrass: Very well-executed Thai dishes. Not an awful lot that is out of the ordinary (though it’s almost certainly the best Thai on the Strip). The pork neck and fresh tofu are both recommended.

Skybox Firecracker Burger. Extinguisher not included. (courtesy preferred pr)

Skybox Firecracker Burger. Extinguisher not included. (courtesy preferred pr)

9. SportsBox: Sportsbook grills rarely inspire, but this one serves solid burgers (including a ghost pepper option that dares you to eat it!) and a prime rib sandwich that my good friend Zeke Quezada swears by. Your family will be satisfied with the food while you’re happily surrounded by flatscreens.

Nobody starts a diet at Jean-Phillippe (sorry!) Even if the salads are good...

Nobody starts a diet at Jean-Phillippe (sorry!) Even if the salads are good...

10. Jean-Phillippe Patisserie: The most “urbane” spot in all of City Center, JPP recalls a Midtown New York or European city gourmet store, squeezing in fresh gelatos, fine chocolates, fresh crepes, savory salads and sandwiches, fancy desserts, pastries and coffees. A very civilized quick bite, and relatively reasonable.

Hon mention: Blossom: Though I haven’t eaten here, this romantic recreation of a Peking-style palace does a nice job with traditional Mandarin dishes, I’m reliably told.

Also consider Social House, Todd English P.U.B. and Puck Pizzeria next door in Crystals as well as Twist by Pierre Gagnaire, Mozen and the tea lounge in Mandarin Oriental.

About.com Guest Blogs

October 22 2011No Commented

Categorized Under: FOOD + CHEFS, LAS VEGAS

Zeke's on the left. ;-)

Zeke's on the left. ;-)

My good friend Zeke Quezada has been the GoVegas Editor for the New York Times’ About.com pretty much as long as anyone can remember. As such, he’s essentially the single most-read voice on Las Vegas anywhere on the interwebs (in other words, Anywhere, Period), and is remarkably humble about it. Well, humble relative to many other writers whose readerships are considerably less significant.

Every so often, though, I will experience something that Zeke hasn’t (it’s rare, I admit) and so, he’ll ask me to guest-blog for About.com. Here are some of my contributions there:

Top Burgers In Vegas, 2011

More on What Makes A Great Burger, and Holstein’s Lamb Burger

The Cosmopolitan’s Secret/Nameless Pizza Joint

Downtown Vegas’ Revamped Classic El Cortez Casino

Aureole Wine Weekend

Reconquering Downtown Vegas: El Cortez on About.com

October 22 2011No Commented

Categorized Under: LAS VEGAS

What the classic El Cortez sign looks like from the roof. shhhh.... pic ECG

What the classic El Cortez sign looks like from the roof. shhhh.... pic ECG

While many Downtown Las Vegas Casino Hotels have been slowly updating themselves, the El Cortez–one of the oldest, in continual operation since the ’40s–has done a particularly good job of reclaiming past glories while inserting bits of hip modernism. Here’s my most recent report, as a guest blogger on About.com, as well as some extra pics….

Yes, those are still Coin Slots ;)

Yes, those are still Coin Slots ;)

The Big Sleep Suite

The Big Sleep Suite

Yes, that is a glowing tumbleweed. Jealous?

Yes, that is a glowing tumbleweed. Jealous?

ElCortezSuite4

The Flame Steakhouse (courtesy El Cortez)

The Flame Steakhouse (courtesy El Cortez)

 Best matzoh ball soup in Vegas... and maybe anywhere??

Best matzoh ball soup in Vegas... and maybe anywhere??

Wastin’ Away? Hardly: Margaritaville’s World’s Largest Marg Party

October 21 2011No Commented

Categorized Under: LAS VEGAS, WINE + SPIRITS

I have to admit, I was a skeptic. I didn’t think the Margaritaville chain was much more than a gimmick attached to an old song by an old MOR artist. Boy, was I wrong. Margaritaville, clearly, is part of a lifestyle. Last weekend I attended the first of two parties celebrating the opening of the Margaritaville Casino inside The Flamingo, as well as their reclaiming of the World’s Largest Margarita (pictured behind me, inside a huge specially built refrigerated tank), and the debut of Margaritaville Online, a virtual world which is like Second Life meets Farmville meets permanent intoxication, or something.

Doing my part to drink dry the World's Largest Marg (it wasn't bad, either). CLICK TO SEE FULL PHOTO ALBUM

Doing my part to drink dry the World's Largest Marg (it wasn't bad, either). CLICK TO SEE FULL PHOTO ALBUM

It’s an uncommon demographic this lifestyle attracts: mostly middle aged, mostly middle American, but not necessarily any economic class. Just good folks looking to dress up as ridiculously as possible (Full adult size parrot costume? Check. Sombrero with tiny penises glued around the brim? Check) and waste away. Who am I to judge?

Anyway, here’s an album of photos from the afternoon, which really, I think, speak for themselves.

One further note: the Margaritaville casino, carved out of a formerly under-utilized section of Flamingo, is really rather well-executed for the concept. Big bar in the middle, fun atmosphere, good table game to slots ratio. Nicely done.

Nick + Stef’s: Can You Beat This Girl’s Meat?

October 21 2011No Commented

Categorized Under: FOOD + CHEFS, WINE + SPIRITS

ChefMeganLoganN+S

Yes, I did actually think about that title before I printed it. The others were worse, trust me. Anyway…

Hidden amongst the skyscrapers of Downtown LA’s Bunker Hill, Nick + Stef’s was reinventing the modern steakhouse back when most of today’s foodies were obsessing on Olive Garden’s unlimited breadsticks and salad. They may not have been the very first, but when Joachim Splichal’s Patina Group opened N+S in the late ‘90s, most steak joints were stlill working the red naugahyde and dark wood vibe. N+S was distinctly different: modern, light, angular, and with a visible meat locker to make anyone envious, and a nice bar menu (as I recall) at a time when the discussion of small plates used to go like this: “Tapas? You ate at a topless bar?”

DSCF2765

Anyway, fast forward to today, and N+S are apparently still killing it enough (based on tonight’s midweek dining room crowd) but facing a whole lot more competition/imitation. And thus, current Executive Chef Megan Logan (ex –Patina herself) has convened “Meat 101,” a short series of informal seminar/tastings on what you need to know about not just their meat, but everyone’s.

N+S_Meat101LP_092311

I attended the first, “Which Rib-Eye to Buy?” tonight, and even I (yes, shocking, I know) learned a few new things.

For the uninitiated, Chef Megan begins by explaining differences in cattle raising and grading—in fact, as she points out, though USDA inspection is mandatory, grading of Select, Choice or Prime is actually voluntary (though if you don’t have it graded, you obviously cant sell it for much). In fact, American Wagyu isn’t really graded (presumably because it’s such a well-tended product), which might actually explain why, if you’ve had a chance to sample it enough, it doesn’t always beat Prime Angus.

Pay attention, there will be a quiz.

Pay attention, there will be a quiz.

On that note, Megan and her GM point out that any other terminology is fairly meaningless. Unless it’s Black Angus, or better, Certified Angus (a.k.a. CAB), which has a traceable lineage, just saying beef is Angus doesn’t mean much. And don’t even concern yourself with marketing terms like “Rancher’s Reserve.”

As far as aging, Logan explained the essential differences between “wet” and “dry:” “Dry” is open-air, which N+S do in a controlled temperature and humidity environment; “Wet” is vacuum-sealed. In the former, the fat actually protects the meat as it loses moisture and muscle tone, resulting in considerable decay–which reduces the amount of usable meat by as much as 40% (hence why it’s pricey). With that in mind, fans of Grass Fed Beef, typically leaner, should know that aging it is generally unnecessary and pointless.

DSCF2753

Wet aging, Megan notes, is only effective for about 28 days (after that, it doesn’t improve). Some think it works better with certain cuts, which is why for example you’ll see it more often with a less-fatty cut like Filet Mignon.

DSCF2751

After the discussion was exhausted, Chef Megan took away the samples of dry aged, wet aged bone-in and wet aged boneless rib-eye (all Prime Angus, corn-fed in Nebraska, which is all N+S serve), cooked them up, and served us all 3 ounce samplings of each.

Clockwise from top, Wet-Aged, Bone-in; Wet-Aged, Boneless, Dry-Aged, Bone-In

Clockwise from top, Wet-Aged, Bone-in; Wet-Aged, Boneless, Dry-Aged, Bone-In

Accompanying the beef were two wine selections, neither of which was the predictable Cabernet, but a very complex and juicy Sonoma County Pinot Noir, 2009 Radio-Coteau La Neblina; and a lushly aromatic Napa Merlot, 2008 Shafer. Each was the kind of huge Californian expression to make an European woozy. But I loved ‘em.

I surprised myself by distinctly preferring the juicy bone-in wet-aged over the dry-aged (normally an easy winner). The wet aged took a char better, and though both were tender and juicy, wet/bone had the most flavor. Dry aged was still good, and wet boneless was fine too, just less flavorful (closer to a New York). None needed an ounce of sauce.

DSCF2762

By the way, each of the remaining events is a remarkably reasonable $35.00. Though it should be noted, it isn’t really a full meal. So, you might want to consider coming early and starting with one of those great bar pizzas, or convincing the group to chip in on a side order or two.

The only (constructive) criticism I can offer is that I expected to be able to see the cooking process as well, especially since Nick+Stef’s is so exacting: first grilled over mesquite and oak, then finished in a 1200 degree broiler. That much would really seal this deal.

Can you beat that?

Can you beat that?

Surviving Hell’s Kitchen: Nona Sively

October 20 2011No Commented

Categorized Under: FOOD + CHEFS

Click to Enlarge

Click to Enlarge

Giuliana & Bill do L.A.

October 20 2011No Commented

Categorized Under: CELEBS + MUSIC + MOVIES, TRAVEL

Another for Where L.A….

Click to Enlarge

Click to Enlarge

Wine & Cheese If U Pleez: Beyond The Star Chefs at L A Food+Wine

October 18 2011No Commented

Categorized Under: FOOD + CHEFS, WINE + SPIRITS

The Los Angeles Food & Wine festival (ambitiously declared “First Annual…” I guess they have a crystal ball) was an incredible assemblage of Star Chefs from both LA and elsewhere in the US, modeled after the Pebble Beach and Aspen events organized by much of the same team–but perhaps bigger than either.

I would love to deliver a full report and foodpornage of all 70 events that took place from October 13-16 (including an incredible $2000/pp dinner requiring every guest to bring a vintage bottle valued over $5000!) but unfortunately a variety of other events–some of which I’ll also be blogging shortly–conspired to cut my participation down to a mere three. But those three, as it happens, form an interesting theme, because two of them involved pouring vintage wines, and two involved pairing wine with cheese. It isn’t just a rationalization to say these smaller aspects of food festivals are really more interesting and edifying than the big tent circuses with the famous folks. These are engaging, those are really more about engorging.

Kent Torrey (far right) and the Torrey Posse ;-)

Kent Torrey (far right) and the Torrey Posse ;-)

The first was called “Cult Wines and Perfect Pairings-A Rare Wine Tasting With Formagier Kent Torrey.” Though well known to central coasters, Torrey, who runs an estimable cheese shop in Carmel, CA, is virtually anonymous down in LA, where he joked about being confused with the folks behind the Beverly Hills Cheese Shop (I can’t say I’ve done scientific analysis, but I think he may well whip their well-respected butts).

Joining Kent were–from left, Kim Beto, Southern Wine & Spirits; William Sherer MS, Aureole Las Vegas; and Richard Betts MS, Scarpetta Wines.

That's about 200 bucks of juice right there. ;-)

That's about 200 bucks of juice right there. ;-)

Along with a plate of seven gorgeous, well-varied cheeses (six announced, one surprise), Torrey poured three Napa Cult Reds and three very special Bordeaux wines, all from the 1999 vintage, with the general objective being to play with the pairings and learn more about how the art of pairing raises both wine and food. Rather matter-of-factly, Willi Sherer noted that 1999 was actually considered something of a “B Vintage,” not necessarily stellar in either Napa or Bordeaux, but in some ways that offered more opportunity to judge the wines’ separate merits without too much expectation. (Note: I could be wrong, but it didn’t appear that they decanted the wines, just let them sit for some time in the glasses)

The Harlan Estate (currently selling around $900 online) quickly emerged as a front-runner, very well balance, juicy black fruits, a little glove leather and a dash of pepper on the finish.

The Château Latour Pauillac (poured from magnum, but about $700 online for a 750ml) was more complex, with astringency and tart notes of cherry, red berries and a little iodine balanced by earthy vegetal, even roasted squash, and a lovely soft finish.

Abreu Cabernet Sauvignon Madrona Ranch (only around $200, lol) was also astringent, with a still-tight structure, notes of citrus and graphite wrapped around the expected plums, cherry and just a touch of cacao nib…ending with slightly vegetal red pepper.

Château la Mondotte (also $2-300) I felt, in this company, felt the most restricted, but also velvety on the palate and probably an exquisite food wine.

Dunn Vineyards Cabernet Sauvignon (around $100) had a lot of bright, even green notes, but also soft vanillin amongst the plum and licorice.

Finally, Château Valandraud ($2-300) had a huge, funky nose (underbrush? compost?) very ripe plum, iodine, coffee, currants, leather and more. Sherer called it the “most evolved” of the bunch. Wish I could’ve spent more time with it.

Close up on the cheese: Clockwise from the top, Camembert with Calvados, Trou du Cru, Pleasant Ridge Reserve, L'Etivaz Alpage Gruyere, Raspberry Bellavitano, Noord Hollander (with some dried flowers, fruit, jams and almonds, and the surprise gouda in center)

Close up on the cheese: Clockwise from the top, Camembert with Calvados, Trou du Cru, Pleasant Ridge Reserve, L'Etivaz Alpage Gruyere, Raspberry Bellavitano, Noord Hollander (with some dried flowers, fruit, jams and almonds, and the surprise gouda in center)

As for the cheeses, I know you’re probably expecting me to comment on their pairings, but really each was so exceptional and savory that there weren’t any bad pairings, just harmony vs. contrast.  Of all, the last three, Raspberry Bellavitano (crisp but creamy on the palate), Noord Hollander and the “surprise” coconut cream Gouda are cheeses I would bring only to someone I wanted to sleep with me. They were that seductive.

One of these days I will figure out the difference between “Formagier,” “Affineur,” and “Cheese Monger.” But this is not that day.

Somehow I couldn't get a straight shot of this dynamic panel. That's Darius Allyn with his nose in the glass ;)

Somehow I couldn't get a straight shot of this dynamic panel. That's Darius Allyn with his nose in the glass ;)

From here, I jogged downstairs to the concurrent “Burgundy’s Brilliance: A Decade of Wines from Domaine de Hospices de Beaune.” That title promised a lot (especially with Raj Parr on the panel, next to Darius Allyn MS of Montage Beverly Hills, and Food+Wine’s Megan Krigbaum). But it was actually something of a promotion for the Christie’s auction (the 151st from Hospices de Beaune, a unique charity fundraiser), with four selections contrasted in their 2005 and 2009 vintages–not really “a decade,” but I’m not complaining.

I tasted the three reds (the white Meursaults were poured when I was out of my seat):

DSCF2556

Pommard 1er Cru, Cuvée Dames de la Charité

2009: The only notes I could conjur were “tart” “peppers” and “sharp.” Densely structured, it might be amazing in several years, but right now didn’t hold my interest.

2005: Softer and significantly more juicy with bright berries, a bit of wood, and a long finish. Very nice.

Corton Grand Cru Cuvée Charlotte Dumay

2009: Macerated cherries and wood-spice with a very long, dry finish. The kind of wine to impress a collector with, now, or in another 5 years.

2005: Softer and more restrained, with what I’d call “happy tannins” on the aft.

Darius Allyn called these “bolder, more textured and broader scale.” I think he meant “good.”

Volnay-Santenots 1er Cru, Cuvée Jéhan de Massol

2009: The fat lady sings–plump, supple fruit with an almost chalky dry finish.

2005: Softer again (no surprise) with pleasant red fruit notes and more spice on the long finish.

Laura Werlin (right) being introduced by Food+Wine Editor Dana Cowin

Laura Werlin (right) being introduced by Food+Wine Editor Dana Cowin

The last of the three events took place later that afternoon: “Grilled Cheese & Great Wines with Laura Werlin” wins the prize for least artful, most honest title. San Francisco’s Werlin is not only a leading cheese whiz (sorry, couldn’t resist) but in particular, an aficionado of many grilled cheese variations, as her two (yes, two!) grilled cheese cookbooks attest. It’s probably needless to say that this cheese and wine pairing was a bit less rarefied than the earlier one. But there was actually some crossover, and every wine–all Californian–was excellent:

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Brazin 2008 Old Vine Zinfandel (under $20) had a ripe juicy nose, with lots of cherry, raspberry and plum on the palate, and a soft black pepper finish.

It was paired with a Double Cheddar and Tomato Jam GC, made with Wisconsin Bleu Mont Dairy Bandaged Cheddar. Probably my favorite.

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Noble Vines 2010 Single Vineyard 446 Chardonnay (around $13) had a very appley nose, but more creamy pear/apricot-dominant mouth (over more apple) and a spicy finish.

Laura paired this with “The Californian,” one of her themed creations, made with classic Humboldt Fog Goat, Point Reyes Toma, with fruit, chilies, adobo, and crusted with almonds.

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Irony 2010 Russian River Valley Pinot Noir (Around $12) Soft, gentle fruit on the palate with some ash, and a sharp finish. It’s Russian River, how bad could it be? ;)

This was paired with a soft and earthy Camebert and Comté with Mushroom GC on a baguette, an easy, creamy contrast to the juicy grape (we noted the Comté’s raw herbaceousness melted away literally in the mixture).

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Lastly, Ledona Vineyards 2009 Malvasia Bianca was a nice, complex dessert wine with a nectary honey noes and viscous peach, apple and honey notes on the palate.

For this Italian varietal (grown in Monterey), Werlin gave us a Gruyere and Gorgonzola recipe–a Northern Italy-inspired creation, in which she replaced the first with Holland’s Family Gouda, and used BelGioso Creamy Gorgonzola, both Wisconsin, augmented by hazelnut butter and honey. Yum.

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For some reason, Werlin faced an oddly rowdy crowd (didn’t these people overpay to get in here?), but never the less, managed to sneak in a few tips: Always grate cheese for better melting (she likes coarse grating); make sure the bread is never too thick; when pairing think of texture as well as flavor; Kerrygold butter is her favorite; English style cheddars are usually best for red wines.

Salut!

Dia De La Exprima!

September 29 2011No Commented

Categorized Under: WINE + SPIRITS

… at least, that’s how I think you say it en Espanol.

1st Sorting Out Table

Cristina Callejo, of Bodegas Felix Callejo, just sent these pix of the crush starting yesterday at their winery in Ribera Del Duero, Spain (Burgos, to be more specific). “Extraordinary quality grapes!” says Cristina. No doubt. Ribera is one of my favorite wine regions at the moment, for the fascinating variations in terroir and winemaking styles all with one grape (tempranillo, almost exclusively). And within Ribera, Felix Callejo is undeniably one of the best.

2nd Sorting Out Table

So, if you still have a vision of peasant women stomping grapes a la Lucy…sorry to burst your bubble, but they don’t really do it that way anymore. Thank goodness.

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And here is Noe Callejo’s own blog…lots more cool pics!

Too Much Is Never Enough: Indulge LA

September 28 2011No Commented

Categorized Under: FOOD + CHEFS, WINE + SPIRITS

Most food festivals tend to emphasize the savory over the sweet, but Indulge Los Angeles flipped the script, focusing on chocolates, pastries and beverage pairings. With two world-class pattissiers demonstrating, as well as the winner of Food Network’s Cupcake Wars, the event benefitting St. Jude Children’s Hospital (tix only $35!), it was pretty impossible to pass up.

The event, held this past Saturday (9.24.11)  was appealingly sized, with about 50 participating companies, and the tone was well set at one of the first tables with Armand de Brignac Ace of Spaces champagne. One glass of this haute, hip cuvee would justify the price of admission alone! From there, in every direction, were bon bons, parfaits, mini cupcakes, macarons…you name it. As I tweeted during the show, a diabetic probably shouldn’t even breathe the air!

Both Stephane Treand and Jean-Marie Auboine demonstrated their wow-factor work–and each informed me they’re in the final stages of opening pattissier schools, Treand’s in San Clemente, Auboine’s in Las Vegas, NV. That’s like Tiger Woods offering to help you improve your game (and you can take that any way you want).

Marcel Vigneron was a no-show (it would appear he double-booked) but Annette Starbuck of the Goodie Girls fulfilled the Food Network quotient, while probably the most impressive creations belong to the Montage Resort’s Exec Pastry Chef Lee Smith  (yuzu chili macarons? I’m a believer). Several local handcraft chocolatiers (many of whom barely have any retail presence) offered impressive goods, like Ococoa’s Diana Malouf, and the all organic chocolate covered gummi bears (made from black carrott puree?) from OM snacks also got my attention. Ditto Ecuador’s fair trade/organic Pacari and Sacha chocolate bars. Not only “nice” but NICE.

Other beverages worth mentioning included Patron tequila and Patron XO coffee liqueur, Veev açai liquor, Hypnotiq, Moreno Beverly Hills sparkling wine, Little Vineyards pinot, Cortage champagne. There were also some vitamin drinks and flavored coconut waters offered… though by the end, I would’ve killed for just some plain water. And a couch.

Thanks to Cutie Pies LA’s Mollie Brown, who shared camera duties with me on this one…

Quelle Surprise: The 2011 SFIWC Winners & Vinturi

September 25 2011No Commented

Categorized Under: WINE + SPIRITS


This week, The Tasting Panel Tour 2011 came to Los Angeles, so naturally I had to be there. Even as an Editor for the magazine, I don’t always get a chance to taste every single bottle that’s reviewed, or wins the affiliated San Francisco International Wine and Spirits Competitions, so even for me, the Tour (coming to Vegas Nov 1, btw) is a good way to try some new wines and spirits that are clearly worth trying.
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The offerings started big, with Perrier-Jouet’s Blason Rosé (NV), an enchanting champagne with softly crisp bubbles, lots of grapefruity acids and a dry finish. This would be the perfect accent for an elegant brunch. Next to that, though, was the remarkable Raza 2011 Torrentés Sweet Sparkling Wine from Argentina (voted Best Demi-Sec and Best In Show Sparkling), a big, sweet mouth of apple, nectarine and peach–and an insane value ($10 retail??)

Three Marlborough, NZ Sauv Blancs followed, each enjoyable: Huia 2010 (nose of unripe peaches with a tart citrus/stonefruits mouth); Saint Clair Family Estate 2010 (very funky, earthy nose of almost asparagus, with a soft, vegetal palate, I’d pair with ratatouille) and Stoneleigh 2010 (another earthy nose  but followed by a tart orange oil palate and soft finish).

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Next was a table with a tent card reading “Boxed Excellence.” Since I’ve obviously seen and heard a lot of remarks about surprisingly good boxed wines, I was eager to try. The two Target cubes didn’t impress me, but the Bota Box 2009 Riesling had a nicely balanced, round, soft apple mouth (though it wasn’t i cool enough…I guess you can’t chill a box unless its in a refrigerator. They should work  on that).

I enjoyed a couple more whites–the Türk 09 Gruner and the Fritz 09 Russian River Chard (a nice balance between old and new style Chard) before moving to Reds. Here’s what made an impression:

Hearst Ranch 09 Paso "Best Tempranillo"

Hearst Ranch 09 Paso "Best Tempranillo"

• Jenner 09 Pinot Noir, Sonoma Coast (big, tart cherry nose with a cherry coffee peppery oaky mouth)

• Scheid 08 Estate Pinot Noir, Monterey (fruity nose, juicy chewy cherry, oak and green pepper palate)

• Hearst Ranch 09 Tempranillo, Paso Robles (soft nose but huge juicy zippy semi-sweet mouth: pair with burgers or tri-tip) Best Tempranillo in Show

• Cakebread 08 Merlot, Napa (fruity nose, softer restrained palate, almost Bordeaux style–good pairing wine) Best Merlot in show

• Henson 08 Syrah, Chalone (big, bouncy fruit)

• Travieso 08 California Red Blend (round, balanced cherry chocolate mouth with a dry finish, GREAT VALUE  at $16 retail)

• Huges Wellman 07 Cabernet, Napa (soft, smooth and solid cherry)

Unfortunately, not all of the show winners were available, in particular, nothing from Hogue (who won Winery of the Year), nor the Poças Junior 1976 Colheita Port (Best in Show, Fortified) or any of the winning ice wines from Jackson-Triggs and Inniskilin.

Spirits actually made a bigger impresssion on me this year–in particular, a rather extensive selection of Tequilas and Mezcals (this category is in huge danger of oversaturation). Many readers will already be familiar with Dan Ackroyd’s Crystal Head Vodka and Nolet’s Gin, so no need to comment there.

• Smuggler’s Notch Vodka, Vermont: Sweet and soft with a long peppery finish

• Mozart Dry, Austria: A “chocolate spirit” with hot fudge nose and dark chocolate peppery mouth (”Best Other Spirit”)

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• Oro Pisco Italia Mosto Verde, Peru: Very impressive with a lemon custard nose, and soft lemon peppery mouth (”Best Pisco”)

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• Kai Young Coconut Shochu, Vietnam: Impressively smooth and round, softly sweet and very sippable (”Best Shochu”)

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• Of over a dozen tequilas and mezcals offered, I was most impressed by Corazon Blanco, Pueblo Viejo Anejo (both values) and Dulce Vida Anejo.

• Lastly, the Tyrconnell 10 year old Single Malt Irish Whiskey (Sherry Finish) made a strong impression, very soft, and taking a lot of sweet, fruity characteristics from the Sherry casks, with just a small bite at the finish. Elegantly sippable.

Oh, I also enjoyed the Camus Cognac VS, though the winning Landy Cognac XO unfortunately wasn’t being poured (can’t say I blame them, it’s a $100 bottle). Best Tequila Don Julio’s Extra-aged Anejo Tequila Real ($350 retail) was also missed ;-)

The Vinturi Spirits aerator pictured with good friend, The Dalmore 18 year old Single Malt Scotch, Highlands ($165)

The Vinturi Spirits aerator pictured with good friend, The Dalmore 18 year old Single Malt Scotch, Highlands ($165)

Still the most impressive showing of the afternoon wasn’t a particular beverage, but a new tool: the Vinturi aerator, which was being demonstrated throughout. While I’ve tested other aerators before (basically, bottle-top “instant decanters”), the Vinturi, which is hand–or bracket–held comes in different versions for red wines, white wines, and perhaps for the first time ever, even for spirits. With wine, the Vinturi certainly helped open up complexities and smooth over tannins. But the spirits version had an even ore remarkable effect, bringing out dramatic differences and structural elements. What looks like a gimmick may actually be a game-changer.

With The Tasting Panel's head honcho Anthony Dias Blue

With The Tasting Panel's head honcho Anthony Dias Blue

Blood Into Wine: 90+ Cine du Vin

September 17 2011No Commented

Categorized Under: CELEBS + MUSIC + MOVIES, WINE + SPIRITS

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I sat and stared at this DVD for several months before finally watching it, and even though I have no excuse, I know exactly why. The film is a documentary about Tool/A Perfect Circle singer Maynard James Keenan’s foray into winemaking, and while I have no prejudices against career changes (Kurt Russell is making interesting wines, for example), Blood Into Wine’s cover image and packaging have all the earmarks of a slick piece of marketing.

Which is essentially what the film is, though to my surprise, in a good way. Filmmakers Ryan Page and Christopher Pomeranke have a strong, sometimes whimsical, sometimes straightforward sense of storytelling, using modern techniques to help a story along that is in many senses, extremely slow and technical.

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To be sure, there is a lot here about Keenan’s “other” life as a very successful musician—even making it fairly obvious to what extent he’s using that popularity to help promote this “new” business (few, if any other, winemakers get interviewed on rock radio stations, for example, and the lines of people waiting to get bottles signed don’t look like typical Spectator subscribers).

Keenan's Puscifer bandmate Milla Jovovich makes enough of a cameo so they market her as being in the movie. Sly devils.

Keenan's Puscifer bandmate Milla Jovovich makes enough of a cameo so they market her as being in the movie. Sly devils.

But the core of this film—and what is well worth recommending to wine drinkers who don’t even like Keeenan’s music (I like some of A Perfect Circle, but have never been a Tool fan)—is an exploration of the process of winemaking. And it is as good an exploration of all aspects as I’ve ever seen. Blood Into Wine takes us into the fields planting root stock (even offering a little history on grape proliferation), discusses terroir at length, shows vineyard management—good and bad—harvesting, crush, fermentation, even the actual bottling process. An extended sequence regarding wine rating features a stunt appearance by James Suckling, who flies in from Europe to tell Maynard that at least one of his wines does not suck. Reviewers from Wine Enthusiast and Vinography.com also weigh in, and winemakers from several regions of California also appear. By comparison, Sideways and Bottle Shock are just cute stories that give little insight.

James Suckling actually praises at least one of Keenan's wines...though we don't see his actual scores/notes

James Suckling praises at least one of Keenan's wines...though we don't see his actual scores/notes

Ultimately the story is Keenan’s, and it certainly captures a lot of his own dark sense of humor (a Bob Oedenkirk skit at the end is not to be missed), as well as the quixotic sensibility which inspired him to try making wine in an essentially unproven region of northern Arizona.Whether or not that interests you, Blood Into Wine is still a valuable 100 minute journey through the life of a small winemaker, and that’s something any curious wine drinker ought to see.

"Everything you know about wine...is completely wrong."

"Everything you know about wine...is completely wrong."

Chip Frenzy

August 27 2011No Commented

Categorized Under: FOOD + CHEFS

2011-07-21_20-03-03_673Ever wondered how we got the potato chip? Like many great innovations, it was created in anger, according to one story, by Chef George “Speck” Crum at Moon’s Lake House in Saratoga Springs, New York. Speck, in 1853, was irritated by a diner (allegedly Corneilus Vanderbilt, who was a regular) that kept sending back his soggy, bland, potatoes. So Speck sliced a new potato as thin as possible, deep fried them as crisp as possible, and loaded them down with salt. To his surprise, the chips were a hit.

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There are disputes to this, of course, but in any event, salty, crispy potato chips weren’t sold to-go until more than 50 years later, beginning with either Dayton, Ohio’s Mike-Sells or Leominster, Massachusett’s Tri-Sum in 1908-10 (It was Laura Scudder, in Monterey Park, CA–now a mecca for Chinese cuisine–who innovated wax paper bags).
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Whatever the case, clearly this part of the world is still a potato-chip hot spot. At least judging by my recent visit to Western New York, pretty much in the dead center between these towns. Shopping in a Wal-Mart near Lake Erie, I found an incredible array of potato chip varieties offered. And I’m not talking about large national brands like Lay’s  and Ruffles, or even nationally-distributed craft foods like Cape Cod or Tim’s. I’m talking about multiple tiny brands, each of them in several varieties!
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None of these may be life-changing peculiarities–the Hartley’s that I ended up getting were just ok–but the fact that such a big box store as Wal-Mart carrying so many really tells you something. These folks love their chips!
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Revisiting the West Memphis Three

August 19 2011No Commented

Categorized Under: CELEBS + MUSIC + MOVIES

nvg9744-03The recent release of the West Memphis three brought back memories for me. Back before my current career focus, I wrote a vanguard independent film column for Alternative Press magazine. One of the edgy, controversial films I was happy to champion was Paradise Lost, the documentary about the West Memphis Three that brought their story to light, even before Henry Rollins and others were championing them.

I will scan the original article as soon as I locate it, in the meantime, here’s the original text, submitted July 17, 1996:

Head: The Reel Deal

Sub: The art of documentary film and “Non-fiction storytelling”

Despite the nominal success of such films as *Hoop Dreams* and *Roger And Me*, despite the proliferation of “reality-based” TV programming, despite the aping of documentary style in films like *Natural Born Killers* and *To Die For,* documentaries remain an underappreciated art and infotainment form.

“Hollywood is totally about money and power,” says filmmaker Joe Berlinger. “[Those] people don’t ultimately think a documentary has true breakthrough potential.”

When compared to blockbusters like *Independence Day,* Hollywood may have a point. But the films of Berlinger and his partner Bruce Sinofsky, who prefer the term “non-fiction storytelling” to “documentary,” neverless offer gripping drama for theatergoers.

Their new film *Paradise Lost,* which will appear in theaters at the end of September (after premiering at Sundance, and airing on HBO in June), is as harrowing a story as anything Hollywood could have dreamed up. An unintended sequel of sorts to their breakthrough *Brother’s Keeper,* *Paradise Lost*  begins seemingly as a “real-life *River’s Edge*”: In West Memphis, Arkansas, the bodies of three eight year old boys are found in a shallow creek, mutilated, drained of blood, and tied up with shoelaces. Three teenagers are arrested for the crime: a17-year-old with an IQ of 72, who gives a factually erred confession to the police, a mullet-wearing 16-year-old, and Damien Echols, 18, who wears black, listens to heavy metal and confesses a certain “interest” in Wicca, Steven King, and Anton LaVey.

“So what if he wears black pants?” says Damien’s father, one of the many involved parties interviewed by the filmmakers, “Johnny Cash wears black pants.”

As it progresses, the story begins to seem more like the Salem witch trials, in which questionably guilty parties are railroaded just for being outcasts. Myriad intrigues emerge as the two trials progress, particularly when one victim’s stepfather gives the filmmakers a knife which may have been used in the killings. Without any conclusive evidence, and much contradictory testimony from all sides, the three defendants are accused of a satanic ritual killing. Ultimately their convictions prove more about the town of West Memphis, and the American justice system than guilt or innocence.

“To go out into the real world, capture this kind of drama, edit it so that it makes sense dramatically, and is truthful, I think is harder than making a feature film,” says Berlinger, who worked with a crew of four people over a 10 month period, shooting 150 hours of footage on 16 millimeter and video, and spending even more time gaining interviewees’ trust than actually shooting them. “We had no idea where the story was going to take us, and it could have easily fallen apart.” *Paradise Lost* is long, at two and a half hours, but thankfully, never falls apart. It’s also the first film to feature the music of Metallica, who gave permission for free usage because they liked *Brother’s Keeper* and were interested in a story where their music is implicated.

Another documentary due late September in theaters (after premiering at Sundance) also implicates music as a guilty party. *Hype!* tells the story of the rise and fall (or at least, plateau) of Seattle grunge, mixing interviews and live performances from both the famous and lesser-known players of the most recent musical revolution, including Nirvana, Pearl Jam, Seaweed, Soundgarden, Screaming Trees, Supersuckers, Mudhoney, the Fastbacks,The Melvins, Gas Huffer and the Gits.

But more than the music, *Hype!* follows “the story about how America packages things,” as director Doug Pray puts it. Soonafter he began filming, Pray recalls, “Everywhere I turned grunge was on the cover of a magazine, grunge was everywhere, and the difference between what was there and what I was reading about was so striking.” Thus *Hype!* includes “grunge” fashion,  the “grunge” effect pedal, “grunge” pencils (from Seattle cartoonist Peter Bagge), Pearl Jam’s appearance as a Jeopardy question, Nirvana muzak, even Seattle band trading cards. It also reveals much about Sub Pop’s abilities to exploit the media, from the initial Everett True story which arguably started the furor, to Megan Jasper’s interview with the New York Times, in which she made up an entire lexicon of non-existent grunge jargon. “75% of what Bruce and Jon say is a lie” says Sub Pop publicist Nils Bernstein of his bosses Pavitt and Poneman, “but it’s served them well.” Behind-the-scenes players Jack Endino, Conrad Uno, Susan Silver and Charles Peterson are also interviewed.

Like Berlinger and Sinofsky, Pray, whose previous experience is limited mostly to music videos, Pray spent more time in the Seattle community (the entire process took three years) gaining trust than just shooting film. Sub Pop, of course, will be releasing the soundtrack.

A Career High

August 16 2011No Commented

Categorized Under: Uncategorized

LewisBlack

Sexy, Savory, Sophisticated Santa Barbara

August 8 2011No Commented

Categorized Under: TRAVEL

Somehow I managed to stay away from Santa Barbara–a quick 90 minutes north of Los Angeles–long enough for it to grow some very interesting contours. They all talk about the ‘Sideways’ effect, but I think it’s more than that. Great wines, great vistas, great people. Here’s my story for 360 West, and a few personal pics:

Click above to download full article PDF

Click above to download full article PDF

The Bliss of Chablis

August 4 2011No Commented

Categorized Under: WINE + SPIRITS

ChablisTasting1
Being that this Friday is National Oyster Day, it seemed like a good time to talk about what almost everyone considers the best wine for pairing with oysters, Chablis.

I will admit, I’ve never been a big fan of Chablis. Part of that is probably because a huge amount of boring white wines from around the world are labeled ‘Chablis’ though they aren’t actually from the relatively tiny region of Chablis. But much of it also has to do with what Chablis connoisseurs refer to as the “restrained” and “subtle” qualities of the wines. That doesn’t always make them interesting, even if it does make them some of the world’s best food-pairing wines.

A few weeks ago, I attended an illuminating seminar in downtown LA, led by James King, an ex-pat Brit now based in Texas (nb: Chablis are extremely popular in Britain, more so than anywhere in the world, including perhaps France itself). Mr. King tasted the assembled group on eight classic Chablis—but first, gave us a good deal of background on the region, most of which I admit I hadn’t previously known.

All Chablis is Chardonnay. It is one of the few French wines which is virtually 100% from one grape (French wines, if you’ve never thought about it, are named after their source locations rather than the grape varietal, which is a surprisingly more modern practice).

There is a rather simple explanation why Chablis pairs so well with oysters. Following the general theory that wines of a region go best with that region’s food, Chablis is grown on slopes that were once the shores of a tropical sea in the Jurrassic era, and are full of ancient oyster shells, with Kimmeridgian limestone-rich soil.

King offered a lot of background about Chablis’ extensive history: Chablis (and Grand Auxerroirs) is one of the five regions of Burgundy. Vines have been cultivated here since Roman times, then taken over by Cisterician Monks by the 11th century (the Les Clos climat is considered to be the original Cistercian plot, FWIW). The proximity to Paris gave the region its primary opportunity to flourish in the days when shipping was far more challenging.

At the end of the 19th Century, like most of France, Burgundy was hit by phylloxera and other disesase, though it was one of the last to be affected. As a result, vineyard sizes were obviously reduced, but they were also refocused. By 1938, the AOCs were established (Chablis being one of the few defined by its geology) and in ’49, Chablis celebrated its first wine festival. Still, Chablis’ vineyards represented less than 500 hectares even in the 1950s, and few of the estates were profitable until the ‘70s.

Today, with over 300 estates, Chablis still only grows on 4950 hectares, producing some 37 million bottles (though an estimated 100 mil bottles are labeled “Chablis”), which remains only 3.5% of the AOC white wine of France. Between 60 and 70% of this is exported, primarily to England, which drinks an amazing 29%, the US (only 3.5%) and Asia.

If you’ve heard the term ‘Climat,’ it is one that originated in Burgundy and refers to a smaller sense of place than a ‘Terroir,’ particularly noticeable in the many micro-climates of the Grand Cru slopes. There are literally thousands of Climats throughout Burgundy (further, a ‘Clos’ is a ‘Climat’ contained by walls).

Don’t expect to see anything labled “reserve” or “estate.” Instead, there are strictly controlled Grand Crus, then Premiers Crus, then Village Appellations and finally Regional Appelations.

The Grand Crus (only 2% of the total output) all grow on one southern-exposure slope, though they still have seven climats (Premier Cru has 17 main climats). It is farther north than Napa, which presents an endemic problem: Chardonnay buds early and is very susceptible to spring frosts, which are fought still with traditional smudge pots as well as sprinklers. Those kinds of variables continue to produce dramatic variations in vintages.

Winemaking follows typical techniques—only about 5% of the wines are oaked and aged 2-4 years, most use malolactic acid

Though it isn’t often thought about, Chablis can and do age well, from 8 (for Premiers) to 18 (for special Grand Crus) years showing best, bringing out more complexity and notes of honey, butter, caramel and perhaps iodine/salinity.

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With all of that said, Mr. King led us through a tasting of eight genuine Chablis wines of varying characters:

• La Chablisienne 2009 Petit-Chablis, 12.5% alc, had a nose of bright lemon, granny smith apple, minerals and a little chalk. On the palate it was soft, with grapefruit notes dominating. Fairly simple.

• Domaine Daniel Dampt et Fils 2009 Chablis, 12/5% alc, had an earthier, floral nose, with just a little citrus/apple. The palate was a bit heavier than the Petit, with strong lemon and iodine/salinity.

• Domaine des Malandes 2009 Chablis, 12.5% alc, had a softer nose of green apple, pear, a little citrus and honeysuckle, with a similar palate and long finish.

• Domaine Vocoret et Fils 2009 Premier Cru Chablis, Montmains, 13% alc, had an almost “curdy” nose with a little apricot and soft citrus notes. The palace was considerably more complex: sweet citrus and young orange, granny smith apple, and a sharp green pepper finish.

• Domaine Simmonet-Febvre 2009 Premier Cru Chablis, Mont de Milieu, 13.5% alc, had a nose of grape, Muscat, and maybe lychee, with flowers and herbs. The palate was rounder, with a little oak, stronger apple and pear notes, and a dry finish.

I confess, though the above wines had some qualities, none made a strong impression on me until the final three:

• Domaine du Chardonnay 2008 Premier Cru Chablis, Vaillons, 13% alc, had a very grape-forward, sour, orange blossom/oil nose. The palate was a creamy orange mixed with strawberry/grape candy and a bit of wood.

• William Fevre 2008 Chablis Grand Cru, Bougros, 13% alc, had a strongly iodine/saline nose, but in stark contrast, a lovely palate of honey, apricot and other stone fruits, with a nice balance of oak and acidity.

• La Chablisienne 2005 Chablis Grand Cru, Grenouilles, 13% alc had a very complex nose of herbals, fungals, flint, spice and flowers. The palate was apple and citrus with some soft oak and a little white pepper on the finish. While some of my fellow tasters thought the size of the wine might make it harder to pair, I found it remarkable and alluring.

Speaking of which, oysters and shellfish aren’t the only things that Chablis pairs well with: you will find they work excellently with most sushi or even stronger fish such as sardines, escargot, goat cheeses, and egg dishes.

Did the tasting turn me into a Chablis fan? Not exactly. But it did open me up to understanding there was much more to the appellation than I previously understood.

For even more info: www.burgundy-wines.fr

No Baloney, Abalone!

August 3 2011No Commented

Categorized Under: FOOD + CHEFS, TRAVEL

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Doug Bush explains it all...

As I’ve said before, it’s never a bad idea to know your food  sources. During a recent trip to Santa Barbara, I got to make a fascinating side-visit to a moderate-sized abalone and halibut farm just north of town, poetically called The Cultured Abalone. For those who may be most accustomed to seeing it on Asian menus, abalone is a actually a type of snail (called abulon in Latin countries, ear-shells or mutton-fish in Australia, ormer in Great Britain, and venus-ears in South Africa) that lives in a half-shell which is a popular source of mother-of-pearl. Abalone meat might be easiest described as somewhere between scallop and clam, as it can be bigger like the former but firmer like the latter. If cooked right, it’s not chewy but tender and mild.

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indoor gestation tanks

Abalone is a very low-impact, sustainable food, that lives stuck to something firm (farms use concrete dividers) and eating seaweed or kelp, as the “farmer,” Doug Bush explained it. To keep things even more sustainable, Doug has been growing seasonal red seaweed as well, and harvesting that too (it isn’t apparently hard to grow more than the abalone can eat).

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red seaweed. all you can eat.

Growing abalone though, is an investment: they do need to live in seawater (this farm had to put in its own pipeline from the shore, several miles away) and they grow slowly. From larvae, including thirty months of indoor gestation, to a moderate size takes three years. The prized bigger ones take even longer, of course. So, this isn’t a quick buck.

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itty bitty pretty ones

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...and as toddlers

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Doug demonstrates their estimable muscle power

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spot the halibut

Bush also more recently took up raising halibut, which are a prime farm fish, partially because they like to lie around a lot (but when they move around, wow, they really get going, even flipping out of the water). These only take about two years to raise to a good size. and the farm is careful to feed them organically, using no drugs, only fresh water to treat parasites. Their waste is used to fertilize the seaweed for the abalone, which they’ve noticed here actually is helping the abalone grow faster.

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Currently the farm ships its products as far away as Hong Kong and Korea.

Belly up to the Counter at Scarpetta BH

August 2 2011No Commented

Categorized Under: FOOD + CHEFS

Scotty at the controls

Scotty at the controls

Like many star chef restaurants, nearly all the outlets of Scott Conant’s ever-expanding Scarpetta empire—including Miami, Toronto and Las Vegas—offer luxe kitchen-adjacent “Chef’s Table” dining rooms. And Scarpetta Beverly Hills, located within the Montage hotel, is no different. As a matter of fact, on the night I visit, comedian George Lopez, Los Angeles Mayor Antonio Villaraigosa, and a trio of women are enjoying the one here.

SKIP TO THE PHOTO GALLERY ON FLICKR

But Scarpetta B.H. has another dining option that’s not only unique to all of Conant’s restaurants, but also most fine dining establishments: a counter actually in the kitchen. Yes, here, within one of the most attractive-looking working professional kitchens you’re likely to see off television, six lucky people an evening can sit and enjoy a $200 per person degustation (12 course minimum, with paired wines if desired) at a polished marble counter, and be served by the Executive Chef. Which, if he happens to be in town, means Conant himself.

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Despite a rising star, Conant has remained remarkably accessible and open for a TV personality (24 Hour Restaurant Battle, Top Chef, Chopped). While kitchen staff buzzes around him, and his Chef de Cuisine expedites, you can engage Conant or any of the other cooks in discussion of his inspirations (from his mom to staffers), purveyors, even individual recipes.

But he won’t let you forget to eat. On my visit, Conant served a seasonal selection of his signature dishes with a few surprises:

branzino

roasted branzino

• raw yellowtail with olio de zenzero and pickled red onion

• tuna “susci” wrapped around remarkable marinated vegetables and preserved truffles

• spiced sunchoke soup, poured tableside over  tiny bay scallops, faro and black trumpet mushrooms

• polenta with mushroom fricassee

• short rib agnolotti with toasted garlic, breadcrumbs and horseradish

• the famous spaghetti pomodoro, toothy but tender with explosively fresh flavors

• roasted branzino with celery root and spring onion

• smoked duck breast

• all accompanied by a lovely basket of bread featuring slices of their delectable stromboli and paired with unique Italian (and one biodynamic Slovenian white) wines.

It's wafer-thin.

It's wafer-thin.

Desserts, by Executive Pastry Chef Richard Ruskell, included tastings of coconut panna cotta, chocolate ganache, chocolate hazelnut espresso vicherine, and hazelnut semifreddo.

Of course, it would be even better if Conant invited you behind the line to cook with him. But considering the quiet efficiency with which his staff operates, perhaps it’s best to just admire from the other side of the counter. And give them a toast.

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Scarpetta Beverly Hills also opens the kitchen for brunch service on Sundays.

Scarpetta at Montage Beverly Hills

225 North Canon Drive
Beverly Hills, CA 90210
(310) 860-7970

Berry Interesting: A Visit To Driscoll’s

August 1 2011No Commented

Categorized Under: FOOD + CHEFS

That is unretouched color.

That is unretouched color.

Whether you write about food or just enjoy it, knowing your sources is never a bad idea. So when the opportunity arose to visit the Cassin ranch in Watsonville, CA where Driscoll’s Berries conducts their research, I was thrilled to accept.

So, when someone asks where your berries come from, don't say "the supermarket."

So, when someone asks where your berries come from, don't say "the supermarket."

Prior to my visit, I thought of Driscoll’s berries, particularly their raspberries and blackberries, as a premium product that I would see my favorite patissiers and mixologists use as garnish. How wrong I was: according to Driscoll’s Phillip Stewart (a PhD who is their Principal Scientist for Strawberry Breeding), 84-92% of US market for raspberries is grown by Driscoll’s, who actually also grow and sell fruit in several other countries and continents including Mexico, South America, England and Spain.

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I wonder if I can get one of these at the Cracker Barrel store?

I wonder if I can get one of these at the Cracker Barrel store?

Stewart and a grower named Steve Garrett sat down to a berry-filled breakfast with myself and a bushel of other food bloggers where they explained some background before we got to try some fascinating developing strawberry breeds, and then took a tour through the raspberry plantings.

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Here are some of the interesting tidbits we found out:

On blackberries:

• “The bigger the thorn, the better the taste.”

• There are several varieties. Carmel is considered the most productive. Driscoll’s generally grows King George.

• Driscoll’s grows blackberries with “hoop houses” or canopies over them. The picking season is only six weeks, which is challenging for laborers, so Driscoll’s grows several sub-species to stagger maturation to at least 8 weeks.

• Blackberries take two years to fruit (if you’re growing your own, don’t be disappointed year one!)

On raspberries:

• Raspberries must be all hand picked 7 days a week, every other day, because they’re delicate, require more work than any other product.

• Raspberries are also canopied and have a short growing season.

On strawberries:

• Driscoll’s original strawberries came out of a US govt. breeding program at University of California that was stopped during WWII, but Driscoll’s paid to finish, in order to have proprietary rights to the berries.

• First year, planted in July, crop comes in fall, second years in spring

• Strawberries are hermaphrodites that self-flower; “They have the same father and mother, which is less creepy for strawberries”

• Fruit malformation happens when flowers don’t start right

• The woody center of a strawberry plant leaves diseases in ground. Plantings need to shift every three years and take a year off. Raspberries good as a rotation crop, they’re high in phosphorous

• Much more breeding in strawberries than other berries because there’s more competition in the market.

Dr. Phil

Dr. Phil

On organic vs. conventional farming:

• Conventional and organic only need a 25 ft barrier by current standards

• Driscoll”s has been breeding on non-fumigated ground for ten years

• The real challenge to growers wanting to convert their land is nobody wanting transitional (conventional to organic) fruit, which takes 3 seasons.

Which of these is not like the other? All of them, actually.

Which of these is not like the other? All of them, actually.

Phil Stewart brought out a tray of blister packed strawberries, each with long numbers written on in Sharpee. Turns out, each of the numbers represented a different clone with which he was experimenting. And while they were all pure juicy ripe gorgeous fleshy berries, the differences in texture, color, and flavor were remarkable. Some have an amazing floral component…and when another reminded me of grape candy, Stewart pointed out that the “Mara des Bois” species is a typical source of “natural grape” flavoring.

Put three food bloggers in a room and you'll get six opinions ;-)

Put three food bloggers in a room and you'll get six opinions ;-)

Stewart also told us:

• The main variety of strawberries is San Juan

• There are dozens of different sugar molecules in strawberries

• Developmental process for a new strawberry clone takes 6 years,

• 12-15 varieties of strawberries are sold every year.

• Different countries/cultures like different things in strawberries. For example, the UK prefers a lighter color and less ripe berry. Stewart’s team are experimenting with producing different color as well as flavor and other aspects.

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“Every decision you make, you throw out a bunch of possibilities,” he says

Then Phil took us to the raspberry tasting blocks, where workers were hand-pollinating different strains, keeping them in bags to control cross-pollination (usually bees do the work-in fact they bring in beehives to the fields for raspberries and blackberries).

Field research. No, literally.

Field research. No, literally.

Afterward, Steve took us on a quick tour of some of his fields, pointing out the canopies, special tarping for strawberries, as well as how close the “conventional” and “organic” fields are.

That tarping under the strawberries (organic) makes picking a great deal easier, as you can imagine.

That tarping under the strawberries (organic) makes picking a great deal easier, as you can imagine.

Conventional raspberries under canopies.

Conventional raspberries under canopies.

All in all a fascinating tour and, wow, hella good fruit.

Here are the reports by my fellow bloggers on the trip:

The Bubbly Girl

Shutterbean (I make a cameo here)

Dessert First

Rona Lewis

What’s Cookin (also Rona)

The Sophisticated Gourmet

Aureole Wine Lounge: A Secret In Plain Sight

July 31 2011No Commented

Categorized Under: FOOD + CHEFS, LAS VEGAS

Some things in Las Vegas have a way of hiding in plain sight. Aureole Wine Lounge is a fine example of this. Late last year, the Charlie Palmer restaurant in Mandalay Bay decided to update it’s rather austere entrance, opening up a huge window to their famous wine tower and dining room; it was a great idea, and arguably overdue, the first real change to the restaurant since it opened in the late ‘90s. At the same time, they also thought to gather some energy from the casino floor by creating a small “wine lounge” in front of the window, with a few select wines by the glass, and some small bites to accompany them.

It was just a modest idea. The only thing is, the team at Aureole (including Exec Chef Vincent Pouessel, Wine Director William Sherer and Pastry Chef Megan Romano) don’t do anything modestly. They do it as well as it can be done, or they don’t do it–and they let the results speak for themselves. Which is perhaps why so few local media have talked about Aureole Wine Lounge.

The lack of attention is perhaps understandable: If you don’t jump up and down and scream your lungs out on the Vegas Strip, you’ll get drowned out by every business that does. Aureole’s style has always been much more low key, quietly maintaining one of the best dining rooms and wine programs in the city without over-promoting it (take a look at their wall of awards, positioned inside the restaurant). Such exceeding expectations matched with quiet humility is the exact opposite of how things are usually done here. And while I myself have always had Aureole on a short list of reliable top recommendations, I too neglected to sit down and experience the wine lounge.

Once I did, I realized it was my loss. Because Aureole’s own standards are so high, doing an “impromptu” lounge for tourists and conventioneers means creating a place that far exceeds other much more “serious” stops at the same price point. And surprisingly, it’s not only better quality, but even better value, no matter what your budget.

In addition to a broad selection of almost 20 wines by the glass and several fine cheeses (all competitively priced–with the wines half off during happy hour), AWL also offers a menu of “small bites” in the $10 range that are easily some of your best food values on the Strip. Check out what I got to sample, all of which were great, and some out of this world:

Four Miyago Oysters for $10? You might find them a tiny bit cheaper elsewhere (most places they're $3 each). You surely won't find them better.

Four Miyago Oysters for $10? You might find them a tiny bit cheaper elsewhere (most places they're $3 each). You surely won't find them better.

Spicy tomatillo gaspacho with watercress sandwiches. This really is almost a meal.

Spicy tomatillo gaspacho with watercress sandwiches. This really is almost a meal.

Ahi tuna rolls with edible flowers: pretty. yummy.

Ahi tuna rolls with edible flowers: pretty. yummy.

Wagyu sliders with bacon: It was a tragedy we couldn't finish these.

Wagyu sliders with bacon: It was a tragedy we couldn't finish these.

Mushroom egg rolls, for you vegetarians in the house (and those of us who love you).

Mushroom egg rolls, for you vegetarians in the house (and those of us who love you).

Piece de resistance: St. Louis Ribs–meaty, tender, sweet and savory, incredibly, the BEST ribs I've had in Vegas. 3 for $10 might seem pricey but THESE ARE WORTH IT!

Piece de resistance: St. Louis Ribs–meaty, tender, sweet and savory, incredibly, the BEST ribs I've had in Vegas. 3 for $10 might seem pricey but THESE ARE WORTH IT!

Wurstküche: German For ‘Kiss My Weiner’

July 30 2011No Commented

Categorized Under: FOOD + CHEFS

Dude, where's my weiner?

Dude, where's my weiner?

As I write this, there are 2653 reviews of Wurstküche on Yelp (and a 4+ stars average), so I’m well aware that I’m a day late and a donut short (as my daughter likes to say) on this one. But it’s been a long time since a venue bugged the F out of me inspired my thoughts this much, so I have to get this out.

Obviously I’ve been hearing about WK for a while, but every time I looked at a review, it basically said it was a place where everyone waited on line to get a fancy hot dog. And maybe a fancy beer. I figured, for all the excitement, there must be more to it, but without knowing what that ‘more’ could be, I didn’t rush there. However, a few weeks ago I finally had a spare 90 minutes downtown, so I decided to check it out.

Before I continue, there’s no axe-grinding here. Wurstküche did not screw anything up, they did not treat me badly, or serve me a rat in a bun. Nor was my credit card overcharged by double digits (at least, I don’t think so). Okay. Anyway…

If you’re not on foot, WK’s address is extremely challenging to find, owing to a peculiarity of where Third Street, Second Street, and Fourth Place converge (almost all of which are one way, in the way you’re not going), just east of Alameda Street and Little Tokyo (where you should’ve gone to eat, but I digress). It’s great to see more sophisticated places opening to serve the Santa Fe loft district–and great to see how it’s progressed as an artist colony, too. But if you don’t live there, it’s not easy to get to.

See the number of people behind the counter (cute cashier girl bottom left)? See the number of people in front of the counter waiting endlessly to order? Divide numerator by denominator to calculate lost profits.

See the number of people behind the counter (cute cashier girl bottom left)? See the number of people in front of the counter waiting endlessly to order (note lack of menu signage)? Divide numerator by denominator to calculate lost profits.

That isn’t necessarily the fault of WK…but then again, of all the warehousy buildings in all of downtown, did they have to pick this one? It’s one of the oddest pieces of real estate you can imagine, a squat right-angled triangle, with the two doors at the extreme points, making any entrance awkward the moment there’s any amount of people. Which, lucky for WK, there are, often. I was there on a random Monday late afternoon, and it was plenty busy.

This is where WK’s concept really starts to bug. So, they served grilled sausages–ahem, exotic sausages–and they serve beer. Now, I won’t get into my complete befuddlement about why Angelenos are willing to line up for hot dogs (cf. Pink’s), but what makes no sense here is that the sausage counter, where one has to order, is crammed almost literally as far possible into one corner of the building, facing the corner, making an instant clusterf**k as soon as five people are lined up. Which is often, clearly, because the pale hipsterette with big boobs at the register is more interested in having groovy conversations with every patron instead of moving units (note: white girl behind the register, Latinos cooking the food. whatelseisnew?)

The selection of wurst is indeed broad and interesting, ranging in price from $5.75 to $7.50 and including intriguing choices like Filipino sweet pork, duck bacon and jalapeno, or smoked alligator and pork. Of course, any Eurocentric grocery store like Jon’s or Latino grocery store or German deli also has a lot of interesting varieties (some even more “exotic”). But, oh, I forgot. You’re a hipster. You shop at Trader Joe’s and Whole Foods. Period.

You waited 20 minutes to get a look at this case, now you have 3 seconds to decide. Go!

You waited 20 minutes to get a look at this case, now you have 3 seconds to decide. Go!

I chose the rattlesnake, rabbit and jalapeno because I figured I should order something I couldn’t find at Costco for 1/10th the price. So, yes, I paid $7.50 for a hot dog…and I wasn’t even at the airport.

They offer four toppings (included)–caramelized onions, sauerkraut, sweet and hot peppers–which is pretty deflating when you realize an average Chicago dog joint offers twice as many. But since even any of these are likely to crowd out the nuances of most of these sausages, it’s just as well. They do sell Belgian fries as well with a variety of dipping sauces, but the Fresh Fries truck is more impressive on that score. I note that their menu also points out that they offer five mustards. Pretty much the same five mustards you’d find at any decent deli.

The remainder of the building, accessible down a long narrow corridor, is an open, communal-tabled modern beer hall with a very long bar (see top), serving an interesting array of mostly German and Belgian beers on tap and in bottle (including a jeroboam of Chimay and a methuselem of Duvel). I’m guessing it’s meant to evoke some sort of po-mo take on a meat-packing plant or something, though I tweeted that it reminded me of Auschwitz for hipsters (to be fair, Terezin for hipsters would be more accurate). There’s a DJ set up, of course. And service here is much faster, because they don’t sell you food. Even though the back of the bar connects to the back of the kitchen. I ordered one of the more interesting beers on tap, a Floris Apple Ale, and then realized I would be paying 9 dollars for a half-pint of tap beer. And I wasn’t even in a strip club. Okay, yes, I could’ve gotten the Pabst Blue Ribbon full pint for $2.50, but I don’t hate myself that much.

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I sat outside on the patio (a strip of coffin-shaped metal tables, oh how arty, walled in by a thick railing) and waited for my sausage, which arrived soon enough in one of those typical dry oversized brioche type rolls that indicates to white people that they’ve just paid too much. The meat was nearly lost in it, certainly under the onions.

Dude, where's my weiner? (oops, used that one already)

Dude, where's my weiner? (oops, used that one already)

By the way, when my dog was delivered to me, it struck me that the place had enough runners that these people could actually be taking orders just as easily as delivering them. You know, like any normal restaurant does. And then they would actually get tipped, too. I also neglected to mention before that WK had a large African-American man in a black suit guarding the door. That’s right, the hot dog joint has nightclub security. I should’ve taken that as a sign that I had truly stepped back in time to 1980s SoHo, the time and place that inspired American Psycho.

She: Cute, damaged 3rd generation Goth. He: Urban lumberjack yacht rock fan. The sex must be amazing.

She: Cute, damaged 3rd generation Goth. He: Urban lumberjack yacht rock fan. The sex must be amazing.

Anyway, I ate my sausage, which was maybe 5 ounces, with a little bite and some unusual texture, but really, nothing relevatory. I listened to the amusing banter of the mismatched couple next to me. And then, I bolted.

Suddenly, I  began to empathize with the Goth girl...

Suddenly, I began to empathize with the Goth girl...

On my way, I noted a branch of the great Eagle Rock gyro spot Spitz in Little Tokyo, just about three blocks from WK, where I know I would’ve been twice as satisfied for half the price (including great fries). As for fancy sausages and beer, I think I can skip the hipster’s Jodi Maroni. It would be tempting to say that Wurstküche represents everything wrong with the LA food scene, but really, it’s not their fault. The fact that so many people think Wurstküche is so great, that is what’s wrong with the LA food scene.

And coming soon to a hopefully less awkward address in Venice!

Wurstküche

800 East Third Street, Los Angeles–GPS this one for sure

Ping Pang Pong: More Bounce To The Ounce

July 29 2011No Commented

Categorized Under: FOOD + CHEFS, LAS VEGAS

Sometimes when you run a steady, sturdy ship it’s easy to get overlooked relative to newer, flashier restaurants with more marketing money. Such might be the case for Ping Pang Pong, perhaps one of the few perennial winners of the Las Vegas Review-Journal’s “Best Of Vegas” that actually deserves it. Both local and national critics have already waxed plenty of praise on this Chinese restaurant set in the unlikely Gold Coast casino. Perhaps to their credit, the owners have not been lured away to a larger location on the Strip, where plenty of more expensive restaurants produce far less praiseworthy food.
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PPP’s greatest strength, as many locals know, is their creative and broad array of dim sum, served daily until 3 pm (other than that, they produce a good solid menu of various regional Chinese dishes, but nothing astoudingly unusual). I’ve tried plenty of different approaches to this Chinese style of buffet (in Manhattan, Washington, Los Angeles, San Francisco and most recently, the Bronx) and I’ve come to the conclusion that a few particular elements make some Dim Sum better than others:

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• Ingredient quality, which tends to be more important to the Western palate than the Eastern (or at least, the palates differ on what defines quality).
• Variety: there need to be more than four carts on the floor, those carts need to have more than 16 dishes (and four versions of jell-o don’t count), the fried food should taste like it was fried a minute ago, not ten, and the steamed foods need to almost sear your face when opened.
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•Individuality vs. familiarity: I think Dim Sum is most delightful when about half of the dishes are classics–shu mai, cha siu bao, sesame seed balls–and the other half are house specialties you’ve never seen before (and may not again).

• Lots of Asians eating there.

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Ping Pang Pong hits all of these right on the head. They even have the waitresses whose English is so bad they can barely pronounce “pork” or “shrimp.” Which is exactly as it should be.
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Here’s what I ate and remembered to write down: spicy curry fish balls, pork dumplings, tofu wraps, fried shrimp cakes with greens, crispy shrimp dumplings, egg custard in crust (kinda weird), fried crab claw rolls, fried octopus, chicken feet, and some chow mein. Nothing was too greasy, nothing was bland, and nothing went unfinished.

Eating With Your Eyes: The Ultimate Food Porn at The Bazaar

July 28 2011No Commented

Categorized Under: FOOD + CHEFS, WINE + SPIRITS

2011-04-28_20-55-29_51I’ll be honest. The first time I ate at The Bazaar by Jose Andres, I didn’t get it. It was very soon after the restaurant’s opening, my friends and I knew nothing about the restaurant other than that it was something new and different, and the waitstaff were not only ill-trained, but unable to give much direction insofar as the eclectic approach of the menu. We sat in ‘Blanco,’ and most of what we had was unimpressive.

SKIP TO THE SLIDE SHOW

Because, as they say, life is short, and I’ve never been that interested in following what’s ‘hot’ just for its own sake, I didn’t return to the Bazaar until recently, when I dropped by to visit my friend Erika Kimball (a staffer there) and she basically sat me down and insisted I try all the signature dishes.

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In the intervening time, I’ve come to understand the Bazaar ‘concept’ better. True to the name, Bazaar is not a singular restaurant but a collection of experiences from which, in theory, you may pick and choose to spend your evening:

•Rojo and Blanca are two dining rooms with different moods and levels of formality, including a jamon y queso bar where you can watch chefs at work.

• Saam is a private dining room which serves a $120 prix fixe of 20 small courses, some exclusive to the room.

• Bar Centro is a liquor bar and large communal table. The inventive drinks here are perhaps the most impressive parts of the Bazaar experience, especially those made tableside) as well as an outdoor patio that basically functions as a second bar, overlooking the port o cochere/valet.

• Patisserie: Where you end your evening, with an overloaded table full of whimsical sweets and some intentionally unmatched tea furniture on which to enjoy them.

• Regalo is a retail area within the Bazaar full of quite eclectic curiosities (and some Andres-curated food products) that seems to mostly function as a mini-museum, unless you’re part of that top 1% income bracket that everyone else loves so much these days.

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Andres is basically trying to create a more elegant, artistic version of a food hall or emporium, from which you can tailor a different experience every time you visit (Eataly is another version of this concept in a broad sense). In theory, your server/hosts are supposed to move you through the different experiences to your liking. I’m still not sure this actually works. I’ve talked to many people who have dined here and never heard anyone remark on changing spots through the evening.

The reason it doesn’t work is transactional: if there were some way that patrons could move around the room at will, or pay as they go with a card or ticket system (like an actual food hall, tapas bar or dim sum) I think the idea would fluorish. The Phillipe Starck-designed rooms, while visually beautiful, also don’t have the sense of flow that the concept requires. But hey, they aren’t hurting for business.

At any rate, on my second visit, my friend and I sat at the jamon y tapas bar, which I highly recommend: getting to watch the cooks at work is certainly added entertainment. We ate so many dishes that I’ve posted them to a Flickr set HERE.

Certainly everything was high quality, and intriguing, but the overall effect definitely felt like more of a performance than a repast (And, lest I forget to mention, not for a cheap ticket). While jaded critics can wax about such restaurants at length (certainly there’s a lot to talk about), I’m not convinced that a restaurant like Bazaar moves the food world in any kind of positive direction.

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Take for one small example, their offering of eight different bottled waters. While I’m glad to see one of them is Vichy Catalan, a truly different Spanish mineral water, the concept overall seems like a relic of the more decadent/less environmentally-conscious ‘90s, in contrast to a time when more high-end restaurants are offering their own filtered and sparkling water, with zero-carbon-footprint.

On that note, in stark comparison to the cocktail list, wine selection here is somewhat puzzling and frustrating. Relatively few are by the glass, relatively few are Spanish (there seem to actually be more Japanese sakes) and they are randomly selected. As for beer, two of the six offered are Miller Lite and Corona.

But what do I know, Jose Andres is the Jesus of food, apparently, and I’m just a guy who eats.

Riedel Glassware: A Clear Difference

July 27 2011No Commented

Categorized Under: WINE + SPIRITS

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What’s in a glass? Some people, such as the wine shop that recently “tasted” wines for me in small Dixie cups, would assume not much. Others, like me, might recognize that a wine or cocktail will taste a little different in glass, crystal or plastic.

Georg Riedel, on the other hand, will tell you that even in leaded crystal, the right glass, or wrong one, can entirely change your experience.

Every so often, Riedel of the Riedel Wine Glass Company gives presentations for both the trade (sommeliers and retailers) and wine lovers about their varietal-specific wine glasses. I attended one a few weeks ago, and can’t call it anything less than a revelation.

The set up, glasses and wines left to right

The set up, glasses and wines left to right

About 100 people were there, and no “professional” video or photos were permitted …which is why you’re seeing these rather unprofessional shots. In front of each of us were three glasses, along with three red wines, a Santa Rita Pinot Noir, a Syrah and a Cab Sauv, and spring water.

Riedel explained some biology: enjoying wine involves three senses, Taste, Touch and Smell. They are “private senses,” i.e. you can’t benchmark yours against anyone else’s sensations. He then went into a slight digression on the theory that about 25% of people are actually taste-blind, whether or not they realize it.

To smell a wine properly, Riedel pointed out, you’re supposed to put the bottom lip of the glass on your top lip. “You must have body contact,” he said, in a softly clipped Austrian accent.

We started the tasting with the water. “Water has no flavor,” said Riedel, “But it has taste.” Riedel explained that the different glass shapes “deliver” the water to the palate differently, while water dilutes saliva actually drying the palate. The first delivered it prinicipally to the front and center of the palate, with strong minerality. The second delivered it more to the back of the tongue and the mouth overall. The third delivered it to the mid-palate and sides, with a softer and sweeter taste.

He quoted Robert Mondavi, who in 1981 told him “In 50 years of winemaking, I’ve never heard such nonsense.”

“We are dealing wth physics, not chemistry,” Riedel pointed out. “We cannot improve or diminish the quality of the wine. We cannot show the wine better than it is. It’s a question of perception and preference.”

Further, he said, “Everyone does not need to be the same.”

First glass, first wine

First glass, first wine

It was time for the Pinot Noir, from Sta. Rita Hills (Central Coast, CA): In the first glass, it gave an aroma of cherries, a little yeast, and vegetation, with little alcohol. In the second the nose was markedly more intense, earthy with more plum and licorice. And in the last glass, there was almost no nose whatsoever.

“You only smell the head space of wine,” Riedel told us. “Each aroma has a different molecule size.” Swirling, as so many wine drinkers like to do, doesn’t actually help break aroma layers, Riedel said. Only gently shaking a wine will do that—and it will only stay for 30 seconds before the molecule weights return to their “right” places.

Now we tasted: The first glass showed acidity at the sides and front of the mouth, weight at the front and little at the side, with nothing at the back. In the second, it was a more concentrated flavor with stronger acid and a tingly sensation on the tongue tip. In the last, it was jucier and smooth but one dimensional and overly acidic.

Second glass, second wine

Second glass, second wine

Next came the Syrah, from cool climate Carneros (Hudson Vineyards, 2007, to be exact). On the nose, in the first glass was a little oak and strong alcohol. In the second, notes included black olives, toasted bread, and an overall earthy, vegetal sense. In the last, the nose was duller, with a bit of corn and yeast.

On the palate, in the first glass, the Syrah had a sweet soft start, and a brassy finish. In the second, it was juicy, softly mouth filling, and balanced with a soft oak finish. In the last glass, it was still juicy, slightly buttery, but dull.

“When you drink from my glasses, you FEEL the wine.”

Now it was time for the third wine, Barnett Vineyards Spring Mountain Cabernet Sauvignon 2007. As Riedel pointed out, mountain wines tend to have stronger tannins, something to keep in mind when choosing a glass. In the first glass, the nose on this was soft and a little doughy; in the second, just dull. In the third glass, however, the same wine showed strong licorice, blackberry, cedar and eucalyptus notes. This was easily the most dramatic difference from one glass to another.

On the palate, from the first glass, the cab tasted new and clunky. In the second it had strong cherry notes, and was off-dry. Not bad, not great. But in the third, it was juicy and sweet with a bright tartness and smooth finish.

Riedel explained that the first glass (Vinum XL Pinot Noir), was designed for leaner wines: Champagne, Gamay, Pinot Noir, Nebbiolo. The second (Vinum Syrah/Rhone) was better for the Rhone varietals: Grenache, Syrah and Mouvedre, as well as Malbec, Pinotage, and Torriga Nacionale from Portugal.

The last glass (Vinum Extreme Cabernet/Merlot) was best for Cabernet Sauvignon (clearly) , Cab Franc, and Merlot.

Decant and Recant ;)

Decant and Recant ;)

“My tools have never let me down.” Riedel suggested to the somms in the audience that they might improve sales by trying their most popular wines in different glasses, to see which would be best to serve it in.

Lastly, we tried the Cab along with a piece of chocolate to see how the glasses affected pairing. It didn’t change the choice of glass, although the chocolate brought out some lovely blackcurrant notes in the wine. Riedel feels the choice of glass is much less important when drinking with food–probably a great relief to the somms in the audience fearing that he would try to sell them on tripling their glassware.

Riedel also demonstrated several of his decanters, which are not only artistically beautiful but scientifically intriguing. “Nobody needs a decanter like this,” he said of one serpentine favorite.

Georg Riedel, incidently, is the tenth generation to run his family’s company (founded 1756). It was his father Claus who first suggested using different stemware for wines in the late 1950s, though the 1973 Sommeliers glass was the real groundbreaker for the company, and the 1986 machine-blown Vinum series which made Riedels more accessible to many. Today, their stemless ‘O’ tumblers are increasingly popular.

The Riedel company, by the way, makes glasses for essentially every popular wine varietal, white and red, glasses for single malt whiskey (distinctly different from most tulip glasses) and also makes a great martini glass as part of their Bar series that has a slight rim to help avoid spilling, though that’s tragically less popular (I’ve only seen it at Charlie Trotter’s and one other place).

EGGeorgRiedel

During the Q&A period, I asked Riedel his opinion of bottle-top aerators in place of a decanter. To his credit, Riedel said, at least in the case of newer wines, that he thought they generally worked quite well and recommended using them (which Riedel doesn’t make). This anti-snobbish attitude crosses over to Riedel’s literature, where I noticed that they recommend that wine drinkers generally spend for a glass something close to what they spend on an average bottle (and when you think about it, even a $20 glass is going to be a whole lot better than those $2 ones you’re probably using). Luckily, we got to keep ours.

Still, knowledge, as they say, can be a dangerous thing. Although I’m grateful for the experience, I’m also a little tortured now when I taste a red wine that’s supposed to be impressive and think I’m not getting much out of it. Is it the wine? Is it me? Or could it be the glass??

Vintner Grill: A Semi-Secret Summerlin Stalwart

July 26 2011No Commented

Categorized Under: FOOD + CHEFS, LAS VEGAS

I’ll be honest: in years of covering the Vegas dining scene, I’ve really only experienced a couple handfuls of restaurants off-Strip (or more specifically, outside a casino resort) worth writing about. Granted, that is probably on par with what you might expect of an average Southwest city even if it didn’t have a foodie-frustrating overload of fine dining right in the middle of it. But particularly in Vegas, most anyone with serious chef talent is going to want to be on the Strip. That’s where most of the money is, easy or hard.

So three cheers for Vintner Grill, which soldiers on in suburban Summerlin, even after a couple sad closings nearby. Especially in tough times, it’s good to remember your local favorites deserve your support–especially when they earn it.

Despite being housed in a generic corporate office park, VG offers a dramatic, escapist atmosphere inside, dominantly white and lit by candlelight, with a woody club-like bar and outdoor patios offering cabanas for private dining. It’s the kind of place where you could easily spend all evening and not realize time passing. Romantic? yes, but not stuffy.

Nice cheese and charcuterie.

Nice cheese and charcuterie.

Chef/owner Matthew Silverman calls his menu “American dishes infused with Mediterranean flavors,” but it really doesn’t need definition–it’s merely eclectic without being unfamiliar, and familiar without being boring. Silverman updates not only seasonally but daily. Clearly the emphasis here is on quality and execution over showy creativity. Everything you order will somehow be more than you’ll expect, particularly in the range of entrees (which, ironically, is where most chefs tend to play it safer).

calamari

calamari

As the name would suggest, wine is obviously an emphasis here (although it would also suggest a “Grill” atmosphere…and there is none, nor even an emphasis on grilled foods. But that restaurant word’s overuse is one of my pet peeves). Sommelier Troy Kumalaa has assembled one of the nicest lists off-Strip, with a decent selection by the glass, although it didn’t strike me that there was a great deal of effort towards educating the customer or sharing new finds. I would like to think even suburban Summerlin is ready for deeper discovery.

Lamb

Lamb osso bucco with toasted barley risotto, harissa, grilled blood orange and tangerine gremolata. Just perfect.

Although I visited at dinner, I would say you’re in great shape here for a nice business or social lunch. Just watch the time, because you’ll probably dread going back to the office.

Beef Stroganoff: A dish most wouldn't think to order but I'm glad my friend did: Incredibly hearty but complex and rich.

Beef Stroganoff: A dish most wouldn't think to order but I'm glad my friend did: Incredibly hearty but complex and rich.

One note: Signage here isn’t great. But GPS it, and circle around and you’ll find the entrance. It’s worth the effort.

Vintner Grill

10100 West Charleston Boulevard
Las Vegas, Nevada 89135
(702) 214-5590

Could Jelly Beans Save Us?

July 25 2011No Commented

Categorized Under: FOOD + CHEFS

Am I the only one who’s noticed in recent months that Jelly Belly, the California gourmet candy company that President Reagan first launched to stardom, has been dabbling in the health food arena?

Crazy, right? How could jelly beans possibly be a health food? But here’s the evidence: “Superfruit” Jelly Bellys, made with “real fruit,” “naturally sweetened” and “high in antioxidant vitamin C.” Turns out, according to Jelly Belly’s site, the flavors included are Acai Berry, Barbados Cherry, Cranberry, Blueberry and Pomegranate! Note the single-flavor Pomegranate Jelly Bellys lower in the pic, too.
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Now, I’m not saying that eating Pomegranate jelly beans every day for the rest of your life is going to keep you from getting cancer. I’m not even saying cranberry jelly beans are going to clear up your UTI. But what I am saying is they sure are a helluva lot more healthy than the goddam worthless “fruit snacks” all those companies are marketing to your kids.

On top of that, Jelly Belly has launched a whole new division called Sport Beans, seven different flavors in resealable packages, packed with vitamin C and B vitamins, and electrolytes. Sure is easier to pack along on a marathon than a bottle of Gatorade!
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Sport Beans even has published research backing up the claim that their beans are better! (okay, it was one trial with 16 athletes, but still!)

Now, Jelly Belly fans shouldn’t be worried that they’re giving up their core mission to offer the widest array of jelly bean flavors anywhere. After all, the latest Harry Potter Bertie Bott’s still offer Rotten Egg, Booger, Soap and Vomit flavors.

Just noticed they serve these cool “champagne bubbles” too ;)

P.S. I’m not a doctor, consult your physician, and if you have diabetes, just flip me the bird and move on. Sorry.

Getting Reacquainted with Social House

July 24 2011No Commented

Categorized Under: FOOD + CHEFS, LAS VEGAS

Chef Joe Elevado’s Social House, originally at Treasure Island, has been re-opened inside Crystals at City Center for some months now, though it’s been somewhat under the radar since, and I’ve been tardy in having a proper meal there myself.

It was my loss: Social House is easily the strongest culinary destination in Crystals, and even though Elevado has moved on, (to LA’s L’Ermitage), it remains one of the Strip’s most creatively approachable, ingredient-driven Japanese restaurants. No, it does not necessarily compete with the most adventuresome Japanese eateries in town, such as Spring Mountain’s Iburiya Raku and Ichiza, but this is a more relaxed, lavish, internationally-appealing experience, with strong quality and technique. The kitchen understands how to balance salty, sweet, sour and bitter with crispy, crunchy and soft textures for mouth-pleasing bites. That talent is all too rare.

The Socialite: Captain Morgan and Brazilian passionfruit

The Socialite: Captain Morgan and Brazilian passionfruit

The menu is broad and full of temptations, some pricier than others: Those with a sense of adventure and time to linger might best opt for the Chef’s Omakase (a $95 prix fixe) which is sure to satisfy.

I may be in the minority here, but I actually prefer this version to the original at TI. While that location (currently functioning as Khotan, but closing soon to be replaced by, um, Senor Frogs) was a string of design-forward curiosities, this is a more functionable, dramatic space with some semi-private booths and a smart bar in front. It works.

Here’s what I enjoyed:

Ebi (sweet shrimp) with micro greens, chili oil

Ebi (sweet shrimp) with micro greens, chili oil, soy salt

A sampling of (from left) raw hamachi w/crispy jalapeno, garlic dust, tiny cilantro, calamansi soy, creamy, crispy, spicy  Salmon: wasabi crème fraiche, lemon soy, crispy shallot  Maguro special: seared tuna crispy shallots, micro celery, sweet chili sauce, negi oil bacony sweet

A sampling of (from left) raw hamachi w/crispy jalapeno, garlic dust, tiny cilantro, calamansi soy; raw salmon w/wasabi crème fraiche, lemon soy, crispy shallot; and a seared maguro special w/crispy shallots, micro celery, sweet chili sauce, negi oil

Big eye Toro tartar with micro amaranth, on an arare rice cracker in spicy miso

Big eye Toro tartar with micro amaranth, on an arare rice cracker in spicy miso

Buttery, crisp Fish & chips (come with a caper dynamite sauce)

Buttery, crisp Fish & chips (come with a caper dynamite sauce)

Ridiculously tender and tasty BBQ pork tocino glazed ribs with pickled beets

Ridiculously tender and tasty BBQ pork tocino glazed ribs with pickled beets

Lemon peel miso cod in bibb lettuce wraps with filo dough nests

Lemon peel miso cod in bibb lettuce wraps with filo dough nests

Decadently rich, creamy, tender, lobster dynamite special

Decadently rich, creamy, tender, spicy lobster dynamite special

For dessert, we also enjoyed a cinnamon cake with sambal foam, and coconut donuts.

Other items on the Social House menu blend Asian inspirations more overtly: kalbi beef sushi rolls, kurobuta pork larb, chicken confit… Lunch offerings include ramen, chicken adobo and even a version of Hawaiian loco moco. In addition to a full bar, Social House also has an interesting siphon coffee program, with a  variety of single-origin beans.

Social House

Crystals, City Center
3720 Las Vegas Boulevard South, Las Vegas, NV
(702) 736-1122

Catch: A Hotel Restaurant Too Good To Leave To Tourists

July 23 2011No Commented

Categorized Under: FOOD + CHEFS

From two star Michelin-rated Melisse to funky fresh Blue Plate Oysterette, dining in Santa Monica is perhaps better now than it ever has been. But with all the interesting new bistros–and even stalwarts like Drago reviving and refreshing their menus–it’s more than easy for locals to overlook the hotel restaurants.

In most cases, this is no great loss. But under Executive Chef Jason Bowlin and Executive Sous Chef Sean Conway, Casa Del Mar’s Catch restaurant and wine bar has reinvented itself as not only a gorgeous view room, but a semi-formal place with exceptionally inventive and satisfying dishes.

First, let me note that not only does this room offer gorgeous 180º views of the Pacific (recommending you make reservations just in time to enjoy the sunset), but it’s nicely spaced tables are also lit by single lamps throwing a spot on the table, a wonderful effect allowing you to read a menu while maintaining atmosphere. Lighting is one aspect that restaurants frequently get wrong: they should take note of how Catch does it right. Also, Catch, which bills itself a “restaurant and wine bar” manages to feel like a proper dining room but with a large bar in the middle, so that it can remain as formal or as casual as the guests that evening make it.

As for the food, Bowlin and Conway are creating seasonally-inspired seafood-focused dishes that vary between refined complexity and simple rusticity. This, in my humble observation, is how the best chefs create a great menu, balancing texture, flavor and aesthetics. Their summer menu doesn’t lack for variety–there are four crudos, nine charcuterie selections, three salads, ten small plates, five pastas, ten entrees, three steaks, and nine sides–but the variety manages to just avoid feeling overwhelming. Barely.

Let me just let the dishes I tried speak for themselves:

Charcuterie and chese sampling

Charcuterie and cheese sampling, including chorizo Pamplona, speck, sopresatta, spicy coppa, organic proscuitto

Crudo sampling, from left: oily, unagi-like Spanish mackerel with roasted grapes, rosemary, 25yr Balsamic; jelly-soft Albacore with breakfast radish, smoked trout caviar; firm sweet Tasmanian sea trout with Fresno chili, orange, white soy; tart,creamy hamachi with pink peppercorns, Calif. olive oil, lemon and sea salt

Crudo sampling, from left: oily, unagi-like Spanish mackerel with roasted grapes, rosemary, 25yr Balsamic; jelly-soft Albacore with breakfast radish, smoked trout caviar; firm sweet Tasmanian sea trout with Fresno chili, orange, white soy; tart,creamy hamachi with pink peppercorns, Calif. olive oil, lemon and sea salt

Pate sampling, from left: tender duck confit, with sweet & sour onions, huckleberries; delectable smoked king salmon rillette with pickled mustard seed; foie gras "PB&J" terrine on toasted brioche with strawberry-rhubarb jam

More charcuterie, from left: tender duck confit, with sweet & sour onions, huckleberries; delectable smoked king salmon rillette with pickled mustard seed; foie gras "PB&J" terrine on toasted brioche with strawberry-rhubarb jam

thick, rich corn soup with clams and Tamworth bacon.

thick, rich corn soup with clams and Tamworth bacon.

woody grilled octopus with black garbanzos, roasted tomato, garlic, chili, capers, oregano: a rustic balance of textures and flavors

woody grilled octopus with black garbanzos, roasted tomato, garlic, chili, capers, oregano: a rustic balance of textures and flavors

sweet citrusy pea tortelloni atop savory rich braised shortrib ragu with woody summer truffles

sweet citrusy pea tortelloni atop savory rich braised shortrib ragu with woody summer truffles

lousy picture of a practically perfect bouilliabaise (mussels, clams, shrimp, local snapper)

lousy picture of a practically perfect bouilliabaise (mussels, clams, shrimp, local snapper)

even worse pic of lovely, light Alaskan halibut with eggplant caponata, tomato relish and fennel salad

even worse pic of lovely, light Alaskan halibut with eggplant caponata, tomato relish and fennel salad

Not pictured: tender, hearty parmesan gnocchi with Maine lobster, basil and tomato fondue; slow roasted pork with black Tuscan kale, farro and balsamic cipollini.

From the restaurant’s broad well selected list of US, French, Italian, Spanish, German, South African and Australian wines (as well as four Japanese sake selections), I enjoyed three wines with my meal:

full-bodied, fruity, mineral Feudi di San Gregorio Falanghina ‘09

grapefruit-peppery Pratsch Gruner-Veltliner ‘09

Woody, black cherry C.G. Di Arie Syrah ‘06

Catch offers a choose-your-own Prix Fixe, two courses plus dessert for $44, which depending on your choices, can be a fantastic deal. Many of the above dishes also appear on the restaurant’s gluten-free menu. 30 of the selections are available by the glass or carafe.

Catch Restaurant and Wine Bar at Casa Del Mar

1910 Ocean Way
Santa Monica, CA 90405
(310) 581-5533

In on the skim: The Las Vegas Mob Experience

July 22 2011No Commented

Categorized Under: LAS VEGAS

mob
There is a certain irony in the fact that the first official “tribute” to organized crime in Las Vegas is in the casino hotel which was discovered to be skimmed by the mob more than any other, the Tropicana. Of course, the resort has long since changed ownership several times, and this “Mob Experience” –not to be confused with the Mob Museum in the works for downtown Las Vegas–is one aspect of a major property overhaul which has done wonders with the old dame.

The first indication that this is more irreverent “edutainment” than a serious exhibit is your entrance through the gift shop, selling shirts like these:

This reminds me of the "Henchman #1" sweatshirts they used to wear on the Batman series in the 60s

This reminds me of the "Henchman #1" sweatshirts they used to wear on the Batman series in the 60s

We are talking about people who murdered and maimed in cold blood, stole millions of dollars, and did all kind of other illegal, nasty, destructive things, right? Okay, I’ll lighten up.

The Experience begins as you are given a badge with an “alias” which will be your identity throughout (I was “Two Hands”). You walk through a replica landing dock, reading background on how organized crime started in the US: The Black Hand, New York gang leaders like Monk Eastman (Jewish) and Paul Kelly (Italian) and so on. Then you’re directed to take a “Visa” photo at “Ellis Island,” and suddenly face a hologram of Tony Sirico (you know, from The Sopranos) explaining prohibition. The holograms–there are more to come–are one of the most impressive elements of the Mob Experience. The other element is the role playing actors, like the guy running the hidden liquor warehouse you find yourself in next, who gives you an envelope to deliver to “Big Leo” at a sidewalk cafe, then the police sergeant who interrogates you, and the enforcer in Las Vegas who enlists you to help take care of business.

Recreated archaic brands on a speakeasy shelf

Recreated archaic brands on a speakeasy shelf...Bottled Romance on the rocks, anyone?

Several more recreated tableaus–speakeasies, casino floors, eye in the sky hideouts–try to bring you into the story, as does the hologram of Steve Schirripa (also The Sopranos, and a Vegas guy himself) explaining the “skim,” but it’s all a bit “Hollywood” until you enter the center of the experience, a series of galleries displaying actual property of the famous mob bosses, from Charles “Lucky” Luciano’s Studebaker (gorgeous) to Sam Giancana’s living room furniture (tacky) to Ben “Bugsy” Siegel’s home movies (mesmerizing) to Meyer Lansky’s diaries, bow ties and Presidential Medal of Freedom, to Mickey Cohen’s boxing gloves and monogrammed pajamas.

Vintage showgirl/mobster "girlfriend" outfit.

Vintage showgirl/mobster "girlfriend" outfit.

Luciano's Studebaker (they even have his signed owner's manual)

Luciano's Studebaker (they even have his signed owner's manual)

Meyer's ties.

Meyer's ties.

The Rat's Pajamas

The Rat's Pajamas

Then you’re back into the role-playing, blowing up a casino from inside a library (not sure I got that) before stepping into a warehouse to find out your fate from the Mob Boss hologram of James Caan (The Godfather I and II).

Far be it from me to give this a deep analysis as a historical cultural experience: but as an alternative to Madame Tussaud’s or the CSI Experience, LVME is a little bit fun, a little bit serious, a little silly, and a little real. Play at your own risk.

2011-04-08_10-34-31_725

Las Vegas Mob Experience

Tropicana Las Vegas

(702) 739-2662 (-2MOB)

Fig & Olive is NOT located at Fig and Olive ;)

July 21 2011No Commented

Categorized Under: FOOD + CHEFS

fig&olive-headerA bit of confusion is to be expected when it comes to Fig & Olive. To begin with, in New York (where the restaurant originated), no one would mistake the name for referring to anything but two of the Mediterranean’s most essential fruits. But in Los Angeles, Fig & Olive is an intersection (Figueroa, to be exact)—one which Fig & Olive is nowhere near.

In fact, Fig & Olive is an understated presence on the corner of LaCienega and Melrose Place, which surprises inside as well by its size. The first room is bowling alley-length and moody-dark, with a communal bar for eating, and another for drinking. Standing wine bottles fill shelves. Feeding from this is a large high-ceilinged dining room with warm lighting but very “New York” energy (read: loud), trimmed by rosemary planters, the kitchen visible through a wall of olive oil bottles. To the rear is another dining room with an airy feel. Though the real estate is large, nevertheless chairs and tables are relatively close together–which you can take as either inspiring community or claustrophobia depending on your mindset.

The menu, though, is enjoyably expansive, prompting the possibility of several different experiences without feeling like the forced eclecticism of many modern “small plates” spots. Executive Chef Pascal Lorange brings an interesting background with him, including experience in French and Beligian Michelin-starred restaurants, an extended sojourn on Tenerife, and stints working privately for Julio Iglesias and President Clinton.

F&O’s wine list is also worthy of note. Divided by flavor profiles as much as specific varietals, it’s focused on French/Spanish/Italian wines exclusively, and not extensive but well chosen, with a few archetypal representatives of each, above some lesser known pleasing adventures. Virtually all are available by the glass (they have some intriguing revised and original cocktails as well, most ranging from $12-16).

I’ve been fortunate enough to enjoy dinner and lunch here since its opening in March; F&O does both well, though I might actually lean toward saying mood and food make it particularly ideal for a relaxed afternoon repast.

Not the place to ask for butter with your bread #justsayin

Not the place to ask for butter with your bread #justsayin

At dinner, table service began with a tastng of three olive oils with cubes of Rosemary bread; we had Chilean, Tunisian and Spanish, each markedly different expressions. It’s a lovely idea, though it would’ve been lovlier to have at least one locavore EVOO, since California has been producing nice ones of late, too.

Not just a fluke.

Not just a fluke.

From the tapas/antipasti menu, we enjoyed a fluke crudo, with red pepper, grapefruit and basil. The crudo was cut a little thick, making it chewier than it should be, but the flavors were wonderfully complimentary.

We also enjoyed three crostini (call them bruschetta variations):  a nice breasola with goat cheese and olive, a less distinct shrimp with avocado tomato and cilantro, and some creamy mushrooms with artichoke and truffle oil.

Then came one of the standouts, a hearty, simple but elegant carrot and thyme soup poured at table.

Carrot and thyme soup

Carrot and thyme soup

Sirloin is not seen on many steak menus these days, but this one (from Painted Hill, Oregon) was juicy and thick, served with herb butter and a lemony light hollandaise.

Aged Balsamic-glazed Branzino, filleted into four skin-on pieces, was rich with fresh green flavors, accompanied by blanched peas and ruby figs.

Lunch gave me an opportunity to sample more. From a full range of the chef’s crostini, the crab, avocado and pignoli as well as manchego, fig and almond were also stand-outs.

Crostini, from left: shrimp, crab, mushroom, manchego, breasola

Crostini, from left: shrimp, crab, mushroom, manchego, breasola

A yellow fin tuna carpaccio (with balsamic, cilantro, arugula, grape tomatoes, marcona  almonds and toasted sesame oil) was light and bright, shaved to a wonderfully soft paper thin texture.

so thin you can see through it

so thin you can see through it

Chicken Samosas... I guess its the Greek yoghurt and Harissa olive oil that makes them "Mediterranean"

Chicken Samosas... I guess its the Greek yoghurt and Harissa olive oil that makes them "Mediterranean"

Signature Fig&Olive salad with two lettuces, two cheeses, two vinegars and Arbequina OO

Signature Fig&Olive salad with two lettuces, two cheeses, two vinegars and Arbequina OO

Grilled steak on rosemary skewers were just exactly what they should be: tender, juicy and herbal, with firm bell peper atop a mouth-filling vegetable couscous, with honeyed greek yogurt dip.

It's What's For Dinner

It's What's For Dinner

Dessert of strawberry, mascarpone and pistachio on a shortbread crostini was just the thing to finish: a little fruit, a little cream, and a little crunch.

preety, no?

preety, no?

I think the word “nom” translates, si?

Fig and Olive

8494 Melrose Place, Los Angeles

(310) 360 9100

Twice As Nice: Double Helix in Town Square

July 20 2011No Commented

Categorized Under: FOOD + CHEFS, LAS VEGAS, WINE + SPIRITS

Double Helix patio through the mist...

Double Helix patio through the mist...

The Palazzo’s Double Helix has long been one of my favorite wine destinations on the Las Vegas Strip: it was one of the first to have an extensive by-the-glass selection, and with owner Ray Nisi frequently on premises, it’s also always had a very well trained and knowledgeable bar staff–regrettably still a rarity.

It also seems to be a well-kept secret that Double Helix’s retail shop is one of the only places you can call to have a serious bottle of wine delivered to your room–any hotel room on the Strip, actually–for no additional charge.

So I was thrilled when Nisi told me he was taking over the space previously known as The Grape in Town Square. While The Grape was a nice enough wine bar, with some interesting selections, it obviously couldn’t hold a candle next to the more popular drinking destinations in Town Square like Blue Martini and the Yard House chain.

Competition is even more fierce there now, but Nisi has smartly updated the space, keeping the original ovular bar, opening up the lounge area with couches in place of dining tables, removing the retail component, and adding a large patio with misters. Directly across from the Rave Theater entrance and cater-corner to Nu Sanctuary, it oddly anchors that square so well now it’s hard to imagine it not being there.

Double Helix Wine & Whiskey Lounge is distinct from the Palazzo locale in several respects. Beyond having actual walls, as previously stated, it isn’t selling bottles retail (why bother, when Whole Foods is so close?) but has a slightly more serious devotion to brown liquors, which I hope goes even farther. There’s no shortage of booze in Town Square, but not a lot of serious stuff.

Smoked duck breast, truffle bruschetto

Smoked duck breast, truffle bruschetto

DHWW’s by-the-glass selection is, at least for the moment, a bit smaller than DH Palazzo, but also priced more for a local crowd. Needless to say, I’d love to see it expand, but it makes sense that they figure out what the crowd here will demand first, especially in this economy. They have a selection of signature cocktails, some of which are interesting.

The most unexpected pleasure of DH in Town Square, though, is the food. While the Palazzo location gets its small plates from Emeril’s Table 10 (and there’s nothing wrong with that), here, Nisi hired Chef Doug Vega (ex-Daniel Boulud) to produce a simple menu with approachable names, but above-average quality. Most are $10 or less, though those at $15 are closer to entree size.

Sangrita

Sangrita

My friends and I got the “double triple” cheese and charcuterie plate with Boucheron goat cheese, Moody Bleu and Comte AOC along with chorizo, salami Toscano and proscuitto. Each averages about $5 a piece a la carte, and while that’s a bit more than average for a cheese offering, here you get 2+ ounces rather than the usual 1.5 oz serving (and fresh grill-toasted bread rather than boxed crackers). At Ray’s suggestion, we encored that with some amazing thin-sliced smoked duck and a wedge of the fancy truffle bruschetto cheese. Decadent.

From the “One Hand” starters, we had some hearty but tender arancini, fried risotto balls with mascarpone, mushrooms and truffle oil.

"Southern" shrimp and grits (not to be confused with Canadian style, I guess)

"Southern" shrimp and grits (not to be confused with Canadian style, I guess)

From the “Two Hands” side of the menu, I tried the Southern shrimp and grits: tender jumbos bathing in a tomato-bacony swamp of rib-sticking grits. Nice. There are several other menu items–posh flatbread, funky short ribs, olive poppers–that I look forward to trying on my next visit.

All the menu items suggest a wine to pair with it, if you don’t trust the advice of that cute rocker girl Katie behind the bar (Though, you should. She knows her stuff.)

Surprisingly, there’s also a small $5 kids menu here: Ever seen a family-friendly wine bar before? You have now.

Choc-a-bloc, Stanley Lambert's chocolate-fortified Tawny, a Double Helix signature send-off

Choc-a-bloc, Stanley Lambert's chocolate-fortified Tawny, a Double Helix signature send-off

Double Helix Wine & Whiskey Lounge

Town Square Las Vegas, 6599 Las Vegas Blvd South, 702-735-9463

Burger Babies: Do the Freddy

July 19 2011No Commented

Categorized Under: FOOD + CHEFS

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Roll over Five Guys and tell Steak&Shake the news: Freddy’s is on your tail.

A close cousin to those other Midwestern  exports Five Guys and Steak&Shake, Freddy’s, which has outlets in Kansas, Oklahoma, Texas, Missouri, Nebraska, Arizona, Colorado, and now Victorville, CA, distinguishes itself primarily with Frozen Custard, a denser version of ice cream with higher butterfat that is only served in a few places.

Secret menu? They don't need no stinkin' secret menu.

Secret menu? They don't need no stinkin' secret menu.

Freddy’s offers several gut-busting sundaes—which they call “Concretes” for good reason–with that creamy delight (choc and vanilla flavors only) and lots of mix-ins. The milkshakes/malts are so thick they serve them with fat Boba straws, and it’s still a challenge sucking them up. Quite a contrast to the air-filled marshmallowy shakes at InN Out.

The custard monster. Don't fall asleep under this thing.

The custard monster. Don't fall asleep under this thing.

“Steakburgers” are their other specialty, though why they’re called that may be a mystery. Like Smashburger, these guys flatten them on a griddle so hard that they’re practically paper-thin, flopping over the side of the bun (no kidding). Small wonder their #1 order is a double burger. They serve them regularly on butter-toasted eggy buns, you must request condiments. “California Style” adds American cheese, a slice of raw sweet white onion, Freddy’s sauce, tomato and shredded lettuce.  The onion tends to be so strong that it overpowers the burger flavor completely (even without condiments) so my advice would be to go grilled or leave it off.

I guess "floppyburger" just didn't have the right ring to it.

I guess "floppyburger" just didn't have the right ring to it.

Fries here like those at Steak&Shake are thin matchsticks, crisp and very potatoey. A large order is massive. The Chili Cheese fries would probably kill you.

inner bag view.

inner bag view.

Their slogan is “Every order is a special order…” which might explain why they screwed mine up twice. But I’ll forgive them for the custard and fries, both exemplary.

Freddy’s also features Chicago style dogs made with the only brand that matters, Vienna, and mustard, relish, onion, “sport peppers” celery salt, tomato and pickle. Will have to see if they put it on the appropriate poppy seed bun when I try them next time out.

Deep Thoughts.

Deep Thoughts.

Freddy’s Frozen Custard & Steakburgers

12032 Amargosa Rd Victorville CA (exit Bear Valley Road off the I-15)

(760) 244-2400

Just a slice of CUT

July 18 2011No Commented

Categorized Under: FOOD + CHEFS

Though I’ve been fortunate enough to dine at the Las Vegas CUT, not to mention many other Wolfgang Puck destinations, for some reason I have yet to experience one of his biggest recent successes, CUT Beverly Hills, in the impressively revamped Beverly Wilshire hotel. But for the restaurant’s fifth anniversary, Sommelier Dana Farmer (who’s been with the restaurant since opening!) has been holding a series of informal themed tastings in SideBar, the restaurant’s casual lounge.

I got to attend the first of the events and sample a few of Dana’s selections alongside some other freeloaders ahem, local media. Dana was nice enough to pair the wines with several dishes off the lounge’s rotating small bites menu by Chef de Cuisine Ari Rosenson, all of which were excellent (and quite reasonably priced–coming here for a glass and some small plates may be one of the best deals in BH).

American Wagyu tidbits, juicy and tender

American Wagyu tidbits, juicy and tender

Little steak sandwiches, with two sauces, total flavor bomb

Little steak sandwiches, with two sauces, total flavor bomb

Lardo crostini. I think you can find the recipe on The Biggest Loser's website. Or... NOT ;)

Lardo crostini. I think you can find the recipe on The Biggest Loser's website. Or... NOT ;)

Tempura squash blossoms. Would you believe this was our favorite?

Tempura squash blossoms. Would you believe this was our favorite?

With lovely and talented Sommelier Dana Farmer, certainly one of the most stylish Somms I've met.

With lovely and talented Sommelier Dana Farmer, certainly one of the most stylish Somms I've met.

CUT Beverly Hills/SideBar at the Beverly Wilshire, A Four Seasons Hotel
9500 Wilshire Boulevard, Beverly Hills
(310) 256-8500

Rocket Fizz is a Supersonic Blast

July 17 2011No Commented

Categorized Under: FOOD + CHEFS, LAS VEGAS

Enter The Dragon

Enter The Dragon

Have you checked out Rocket Fizz? While the Burbank store hardly originated the idea of selling every retro candy and soda pop available–shout outs to Galco’s Soda Pop Stop in Highland Park and Powell’s Sweet Shop in Belmont Shores (and 17 other locations)–I’ve been so overdue to check it out that, while I slept they’ve expanded to branches in:

I shot so many pictures that I uploaded them all to a flickr album here (also link from the photo).
Four out of Five Dentists Agree: We Need The Business ;)

Four out of Five Dentists Agree: We Need The Business ;)

Galco’s, Powell’s, and Rocket Fizz all have their merits–Rocket Fizz’s strengths lie in a few interesting aspects:
1) They have undoubtedly one of the biggest arrays of “salt water” taffy flavors I’ve ever seen–at least two dozen (above)–with flavors like Mango, Lemon Meringue and my daughter’s favorite, Cotton Candy. The miracle of science!
2) In addition to full ranges of many retro and esoteric soda companies, they have their own line of sodas with flavors like Green Apple Jalapeno.
3) They offer not just the expected retro candies, novelty toys and metal signs, but also modern international candies, including a good sampling of British Cadbury varieties like Yorkie and Flake, and some Japanese treats including even a sampler of their offbeat KitKat flavors (not cheap, but unique). I’d be thrilled if they got even deeper into International candy varieties.
Rocket Fizz is not just for kids. Even more serious foodies (and certainly mixologists) can find inspiration here. Check it out sometime.

Cooking Lessons From The Chairman

July 14 2011No Commented

Categorized Under: FOOD + CHEFS

Though certain pop music historians and fanatics know that Francis Albert Sinatra loved to cook, I never knew much about his actual technique. Until I came across this cookbook by the legendary Dinah Shore, who casually included recipes from many of her celebrity friends who probably didn’t realize they could cash in on their own! Miss Dinah included not one, but two recipes from Ol’ Blue Eyes, complete with anecdotes.

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Click to read larger...

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Just for S&G’s, I did a little Googling and it turns out Sinatra finally did do his own cookbook in the ’90s with his last wife. Says here it’s out of print and going for around $90 (it was originally printed to benefit a children’s hospital). That’s a lot to pay, even for the secrets of Umberto’s Clam House… but click on the image for Frankie’s Eggplant Parmagiana recipe.

51GZXN23F8L._SS500_As it happens, my friend Carolyn Kellogg found an even older celebrity cookbook, with a recipe for Frank’s Meatballs (click on the image to read the recipe properly). Carolyn was dubious that Frank actually cooked them… she shouldn’t be. If Dinah says Sinatra could cook, I believe it.

cookwiththestars

Bet you’re not going to see these on the menu at Sinatra, the family-approved restaurant at the Encore Las Vegas. Let’s just say Chef Theo Schonegger doesn’t exactly cook Hoboken style ;)

Ring-a-ding-ding!

Truck Norris doesn’t feed you, you feed it.

July 10 2011No Commented

Categorized Under: FOOD + CHEFS

Caught a recent truck-up in the SF Valley with a few new LA Food Trucks I hadn’t seen yet:

Truck Norris is obviously more inspired by a good pun than any particular cuisine. Surprisingly, all the dishes aren’t as macho as one might expect. Though you can get a FULL ONE POUND “TNT” Burger for 10 bucks, they also serve Hawaiian/Filipino-inspired ribs, sesame chicken, sisig pork belly, and for dessert, nutella wontons and lumpia smores!

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Brazilian Taste serves kosher blinzes. Just kidding. I’m wondering if the truck follows you around serving more meat until you turn over a coaster.

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Tapa Boy offers “Filipino Breakfast Food,” which I have to say sounds and looks a lot more appealing than ChickenJoy: Tocino, Longanisa, Chicken Adobo and even fried tofu bowls, hand rolls, which are kind of like ghetto sushi, and deep fried banana and flan egg rolls.

The No Tomatoes truck serves an interesting menu of what they call Indian street food, sort of Indo-American Chapli Burgers and Seekh Dogs, samosas, etc. The Tikka Masala actually does have tomatoes ;)

Komodo Japanese and Slammin’ Sliders serve pretty much what you want them to serve.

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The Sweet E’s truck is the mobile version of the Robertson Blvd. bakery, offering the expected variety of pretty cupcakes, cookies, whoopie pies, frosting cones, vegan cake pops, and other ways to reacquaint yourself with your neighborhood dentist. Enjoy!

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Scotch Education

July 9 2011No Commented

Categorized Under: WINE + SPIRITS

You can learn important things from a spirits ambassador. Especially if it’s Mitch Bechard, official US Ambassador for Glenfiddich (which is pronounced Glen-Fiddick, by the by) Single Malt Scotch Whisky.

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Scotchy Scotchy Scotch Scotch.

For example, after running into Mitch on the Vegas Strip a few nights ago, and repairing to the Cosmopolitan’s Chandelier bar for a sezchuan button and a shot of Milagro… and a couple of their signature drinks made with another tequila brand that shall not be mentioned in the presence of a William Grant representative… Mitch decided he’d “have a wee roadie.”

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Bartendress Elizabeth Kramsky and I were both perturbed. Was he threatening to relieve himself at the bar? Pick up a diminutive band assistant? Eat some road kill?

None of the above, you silly Americans. That’s how a Scotsman says he’ll have “one for the road.” And when they say “wee,” meaning small, they really mean big. Just so you know.

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Hopefully these photos should be good evidence if the IRS ever calls me in to discuss bar receipts as business expenses. Probably not. But you never know.

[Insert your favorite Irvine Welsh quotation here]

Didn’t Get The Memo: Arty Party Dim Sum Fun

July 8 2011No Commented

Categorized Under: FOOD + CHEFS, SPA + LUXURY, WINE + SPIRITS

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It’s been a while since I’ve attended an art gallery opening where you can’t buy the art. Not because it’s obscenely expensive, but because it’s actually not for sale.

Also, it was all behind thick glass. Which makes me think either someone feels this gold-lame flecked Technics 1200 is the new Mona Lisa, or they weren’t kidding when they called this event Party Animals.

Gold Soundz

Gold Soundz

Royal T in Culver City, for those who haven’t been here before (which includes me, shocking since it’s apparently been here since ‘08) is part gallery, part kooky retail, and part cafe staffed by cute girls (mostly Asian) in French Maid costumes. Which is not at all kinky at all. Certainly not. Perfectly innocent.

Lauren doesn't like living in Venice anymore. I should've told her my servant's quarters was vacant.

Lauren doesn't like living in Venice anymore. I should've told her my servant's quarters was vacant.

It’s very much the kind of place you would’ve found in New York maybe 15 years ago, except that, well, it’s 10x bigger than it could ever be in Manhattan. [Turns out it was the locale of one of the early LudoBites. Which shows you how out of the loop I've been in covering LA food for the previous few years. Catching up quickly ;) ]

Anyway, they had this gallery opening, and as much as I’m a fan of cool art (and it was mostly cool) my main motivation–at least as far as this blog is concerned–was chowing on the noms from Dim Sum Truck, which catered the event.

"I'm not a creep, I'm a blogger," I told them. Small difference, I know.

"I'm not a creep, I'm a blogger," I told them. Small difference, I know.

The Frasian Maids got the hint and were beelining to me with their trays before long. I suppose I should’ve taken more foodporn pics, but to be honest, most of the dumplings didn’t look that exciting. That is no reflection of their quality, however: these are excellent bites, all of them–mostly traditional preparations, vegetable, pork, chicken and ground shrimp-based. The latter were my favorite, flavor-wise, the pork bao probably least successful. But I wouldn’t have complained even if I paid for them!

some 'sum

some 'sum

Everyone at the event (or nearly) was dressed in some kind of kooky Rennaissance Festival Fanfic Plushy Geekout. There were bizarro balloon animals and face paintings and a dress-up photo booth, and of course a DJ who thought his music was much better than it really was. I wore a white shirt and jeans, because I’m a loser (or incredibly contrary, take your pick).

RoyalTbutterfly

Royal T’s big bearded and tiny spectacled mixologist (didn’t get the name, but there’s probably a Dr. in it) made me a very nice fresh watermelon, basil and soju cocktail as well.

sup sup

sup sup

At some point I had to leave, or become the creepy guy who was taking voyeuristic pics of the guests and the maids. Luckily this one came up to me offering one of these professionally-childish sugar cookies. Which we all know is code for GET THE F**K OUT.

RoyalTgirl

Just kidding. ;)

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Find Royal T at 8910 Washington Blvd, Culver City, 310 559 6300

“Party Animals” exhibition runs until Labor Day-ish

Oh, P.S. Mental note for next Mother’s Day present…

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Master of all he Purveys: Jack Daniel’s Jeff Norman

July 4 2011No Commented

Categorized Under: LAS VEGAS, WINE + SPIRITS

Doesn't it look like we should be holding a gold record?

Doesn't it look like we should be holding a gold record?

Jeff Norman is like a rock star in the liquor business. And not just because he is the Master Taster of Jack Daniel’s Tennessee Whiskey, one of the most popular brown liquors in the world, one of the best selling American liquors overall, and one of the best known American brands of any kind. No, Jeff Norman is like a rock star mainly because he’s like a rock star. I’m not exactly saying he’s Steven Tyler or Robert Plant, but the guy wouldn’t look out of place next to them, for sure.

From left, Gentleman, Black, Single Barrel and Honey

From left, Gentleman, Black, Single Barrel and Honey

Three years ago, Norman inherited his title from his father, putting a happy face on nepotism; so far, it seems like he’s holding up the brand quality well, though he also represents an era of Jack Daniel’s branching out into new products more aggressively than it ever has. Of course, that’s relative–they only bottled one whiskey for well over 100 years. Now owned by Brown-Forman, the product line includes Gentleman Jack, Jack Daniel’s Single Barrel, and the new Tennessee Honey liqueur. There’s also Jack Daniel’s Green Label, which is lighter—in every sense–less mature, and only available in select markets. And there’s Jack Daniel’s Silver Select, a high-end single barrel product that’s 100 proof, and not even available in the US (check a duty-free store if you have a chance). They are also reintroducing Jack and cola pre-mixed in aluminum bottles, for easily confused bartenders, and some other “perfect mix” bevvys.

Still, the recipe for Jack remains steadfast: a mash of 80% corn, 12% barley and 8% corn, fermented with a proprietary yeast and distilled to 140 proof. Then the real magic begins, as they drip the white whiskey through ten feet of hard-packed sugar maple charcoal (the unique JD process) and “matured” (not “aged,” Norman points out) in toasted and charred American White Oak barrels. Every JD product starts out this way.

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Norman was running through his litany—with no shortage of passion—during a press gathering for the release of Tennessee Honey in Las Vegas in April. It began with a tasting of the product line (Black label, Gentleman, Single Barrel and Honey–not Green or Silver) in one of the MGM Grand’s sleek, sophisticated Skyloft suites; followed by a dinner at Tom Collichio’s Craftsteak, paired with Tennessee Honey cocktails.

JDMixologist2

The next day, MGM’s Tabu nightclub hosted a comparison tasting between Tennessee Honey and its competitors, Wild Turkey’s American Honey, and Jim Beam’s Red Stag. Tennessee Honey has a soft honeysuckle nose, with caramel, butterscotch and honey notes. American Honey is more cinnamon and orange, with thicker viscosity. Red Stag shows closer to a German herbal liqueur, with a sweet cherry nose, and a peppery-medicinal palate.

Eddie Perales crushing the competition with his Ice Castle

Eddie Perales crushing the competition with his Ice Castle

The proceedings continued with a Tennessee Honey mixology contest with 12 of Vegas’ best bartenders, that I reported upon in The Tasting Panel.

Click to enlarge

Click to enlarge

But Jeff also imparted a few other details about the process of making Jack Daniel’s products, that seemed worth sharing here. For instance, their warehouses are not temperature controlled—intentionally. While all JD Whiskeys are put in the same barrels, temperature variations in the warehouses affect the aging process. Gentleman Jack and Green label are stored closer to the ground, where maturation is slower—and Gent is put through the charcoal mellowing a second time after barrel maturing. Black label is stored higher, and actually matured longer than Gentleman Jack (though both are 80 proof) and Single Barrel, which was designed to appeal to the cigar smoking types, is matured closest to the roof, where the heat gives it an even richer color, viscosity and peppery finish. SB is 94 proof, too. For Tennessee Honey, they make a honey liqueur using a variety of American honeys (yes, some is actually from Tennesee) and blend it with black for a sippably smooth 70 proof.

Obviously those maturation differences also affect volume: according to Norman, one barrel will yield anywhere from 280 to 300 bottles (750 ml).

A few other interesting “didja knows:”

• Jack Daniel’s has a program whereby you can come to the distillery in Lynchburg and select your own barrel, which three Vegas resorts have done—Bellagio, Silverton Lodge and Aria (the barrel is delivered empty, with the product in special bottles).

• Jack Daniel purchased his first still at age 13—from the minister who raised him—and moved it to the distillery’s current location because it offered an iron-free water source.

• Jack Daniel’s square bottles were an innovation when he first started using them as a way to distinguish his product.

Want to geek out on Jack Daniel’s even more?

Due Forni: Meet Vegas’ Hottest Twins

July 3 2011No Commented

Categorized Under: FOOD + CHEFS, LAS VEGAS

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There might be no greater leap of faith in the culinary world then going from the cosseted confines of a Vegas Strip Casino dining room to an off-Strip independent restaurant. On the Strip, a chef can enjoy some of the best kitchen operations in the country, efficient supply channels (with economies of scale), expensively-designed dining spaces, mighty-muscled PR and Marketing teams, and almost certainly a steady stream of customers.

Off-Strip, in a community that is bizarrely more attracted to national chains than local stars, and continually seduced by dining deals, you can get more attention being an ignominious flop than actually making good food.

So it certainly took some guts for Carlos Buscaglia, formerly one of the best Italian chefs on the Strip at the MGM Grand’s Fiamma Trattoria, to take that leap and open up a pizza place on Summerlin’s Town Center Drive, particularly in the middle of a severe economic downturn. Thus far, Due Forni Pizza & Wine seems to be doing fine… but if it fails, don’t blame the food.

Carlos obsessing in the glass-enclosed kitchen

Carlos obsessing in the glass-enclosed kitchen

The concept here is a play on duality: Due Forni has “due forni,” i.e. two ovens in Italian, specifically two Italian-designed pizza ovens which constantly rotate to cook evenly. They are electronic, not wood-burning, which is somewhat heretical to traditionalists who feel that a pizza needs to be unevenly cooked and half-charred to be “authentic.” Apparently the actual Italians who make these ovens disagree.

The concept is further spun to offer the two dominant types of pizza in Italy, Napoletana—which we all know—and Romana, which is thinner and more crispy. One is cooked in each oven, the former for 90 seconds at 900 degrees, the latter 500 degrees for three minutes. Both are offered as a margherita and six other intriguing varieties (though likely Carlos will put any variation you want on your pie–he is not one of those “no substitutions” pricks) for $13 up to $21 for the fanciest, a black truffle and egg Tartufo so rich there’s no way you could finish it.

Moody PR shot of the dining room with ovens at rear

Moody PR shot of the dining room with ovens at rear

For wine, they offer 38 labels, dominantly red, dominantly Italian, but with a few Californians, one or two French and New Zealand’s Cloudy Bay SB. Every single one is available by the glass–20 of them, as the menu points out, under $15 (and nine of those under $10, as are all ten beers). Of course, there’s also California cult The Puzzle and Super Tuscan Tignanello if some Summerlinian wants to splurge.

ahi tuna crudo

ahi tuna crudo

Like any pizza place, they offer some starters too, though here, Buscaglia clearly goes past the expected, delivering fine-dining level salume, assagnini and salads. You’ll notice one glaring omission: pastas (as Carlos explains to me afterward, those two ovens are actually the only heating elements in the entire operation, and at least by my visit he hadn’t figured out a good way to make pastas with them. That may change, but in some respects I like the idea of an authentically Italian restaurant bucking expectations).

My visit was a proper tasting, which means Carlos knew I was coming, but didn’t know what I’d be ordering, and for those who assume that only anonymous reviewing is valid, I’ll just point out two obvious facts: no one in the restaurant appeared to be getting any less attention than my family, nor did their food look any different than mine (it’s not like a chef can replace their normal ingredients with some ‘special’ better stuff, and it doesn’t guarantee everything comes out perfect). As it happens, the chef sent out a lot of samplings which allowed me to have a far greater idea of the menu than any normal person could in one visit.

prime beef carpaccio

prime beef carpaccio

We started with two of the “Cold Apps” and all three“Hot Apps:” tuna crudo, beef carpaccio, scampi prawns, turkey polpette, and semolina gnocchi. On the cold side, I  loved the carpaccio: prime beef, wraped around arugula and pignoli like cut sushi, and topped with shaved parmesan and black truffle vinaigrette. The ahi tuna crudo, mixed with Fresno pepper, capers, olives and lemon-infused truffle oil seemed to have a slightly grainy texture and was dominated by the lemon essence.

turkey polpette

turkey polpette

Of the hot apps, I absolutely loved the semolina gnocchi, shaped like pencil points and served in a sort of carbonara with black truffle crema, smoked nueske bacon and peas, a hearty portion which could easily work as a second entrée with a pizza. The black tiger prawn scampi came with fregola, a kind of Sardinian cous cous, and had a lovely fragrance, but something about the garlic and white wine in the recipe left a bitter aftertaste. The ground turkey polpette came in a wonderfully bright, fresh san marzano tomato sauce, but the meatballs themselves were a bit bland, despite nice texture. More seasoning or just adding in pork or veal would help.

mozzarella trio: from bottom, stracciatella, affumicata, classica

mozzarella trio: from bottom, stracciatella, affumicata, classica

Normally the mozzarella bar here is offered as one of three Campagnia mozzarella choices and a side such as roasted red peppers, Sicilian anchovies, marinated roman artichokes, prosciutto San Daniele or three others. Lucky for me, I got to sample all three cheeses with some plain pizza dough on the side. The stracciatella was by far my favorite, soft creamy and light; the classica was fine but nothing special, and the smoked mozza was smoked with the wrong wood, methinks. It just tasted like it’d been left in a house that burned down.

Then. Came. Pizza.

Three of them.

Due Forni Napoletana

Due Forni Napoletana

We sampled Neapolitan versions of the house signature Due Forni, an adaptation of the margherita with san marzano tomato sauce, campagnia bufala mozzarella, house made crumbled sausage, nueske bacon and pequillo peppers. This was just a pure, perhaps slightly Americanized pie, with juicy savory sausage and peppers. While these ovens avoid the charring that wood ovens give you, as the pics show, you still get hot spots on the dough, which was that classic chewy/crisp crust that you want in a Napoli pie.

The second Neapolitan was a fancy Tartufo, layered with sliced black truffle, roasted cremini mushrooms, parmesan crema and fontina, with an egg barely cooked on top, then spread over it at the table. This thing was as rich as you could imagine, incredibly earthy , creamy, actually heady. If there’s such a thing as “orgasmic” pizza, this is it.

Tartufo Napoletana

Tartufo Napoletana

Speaking of table service, one thing Due Forni does that I like a lot: they deliver the pizza uncut, Italian style. And then at the table, they give it two quick slicings, almost like stamping its passport. Nice.

The last pizza was a Bianca al proscuitto cotto, Roman style, which as the name indicates, was simply white pizza with cooked ham, fontina cheese, caramelized onions, fresh oregano and a drizzle of aged balsamic vinegar. That too was rich, the crispy Roman dough more like a delivery system for the meat and cheese than a strong flavor component itself.

I had a glass of Sella & Mosca Cannanou Riserva ’09, which went particularly well with the Due Forni pizza, but didn’t clash with anything.

They insisted on bringing me some dessert as well, but I’ll be darned if I could remember it. I was absolutely food-coma’ed by then.

Mille Grazie, Carlos!

Sexy PR Shot, Carlos!

Sexy PR Shot, Carlos!

Due Forni’s official website

Carson does Hollywood…and Beyond

July 2 2011No Commented

Categorized Under: CELEBS + MUSIC + MOVIES

This was a fun one….

Click to enlarge

Click to enlarge

A Mighty River: Tasting and Educating on Ribera del Duero

July 2 2011No Commented

Categorized Under: WINE + SPIRITS

At Glendale, CA's Remedy Wine & Liquor

At Glendale, CA's Remedy Wine & Liquor

I had a great experience this Spring taking part in the Drink Ribera campaign, getting to know Ribera del Duero Brand Ambassador and US Trade Liason April Cullom, and being able to share my own knowledge through some retail tastings.

Ribera is unquestionably one of my favorite regions, both for its philosophies and its output. I appreciate the passion that clearly goes into the wines, almost all of which are produced by family estates, and estate wines (as required by law!) that encourage, if not force, the winemakers into their individual expressions. Tempranillo is a very terroir-driven grape, and the high altitude micro-climates of this Northern Spanish region (actually four regions, linked together by the river valley) give the grape such a variety of flavor you might have a hard time identifying some of these wines as cousins, no less brothers!

With owner Steve Zanotti at Orange, CAs impressive Wine Exchange

With owner Steve Zanotti at Orange, CAs impressive Wine Exchange

The best of them, though individual, are juicy, complex, balanced and pair excellently with a variety of foods (or just a bowl of Marcondas). In addition to the wines mentioned in my Tasting Panel piece below (which are currently unavailable in the US…hopefully not for long), some of the Riberas I can recommend without hesitation include:

(listed roughly in price range from lowest to highest)

Torremoron 2008, 2009

Torres Celeste Blue Crianza 2007

Condado de Haza 2006

Ortega Fournier 2005 ‘Spiga’

Felix Callejo Reserva 2004

Convento San Francisco 2005

J.C. Conde Neo ‘Christina’ 2005

Each of these is an excellent bottle–and the first three I would call incredible values. Disfrutas!

Click to enlarge

Click to enlarge

The Failure of Punk Rock in America: Where It All Started

July 1 2011No Commented

Categorized Under: CELEBS + MUSIC + MOVIES

…well, at least for me.

For curiosity seekers, this is my thesis paper from 11th grade on why punk rock never made a foothold in America (which was quite true at the time). It failed to take into account the influence of commercial radio, but otherwise, in many respects, it still holds up. At least as a document of a cultural moment.

Click to download PDF of full paper!

Click to download PDF of full paper!

Get Yr Ducats In A Row: Aureole Wine Weekend 2011 is coming

June 30 2011No Commented

Categorized Under: FOOD + CHEFS, LAS VEGAS, SPA + LUXURY, TRAVEL, WINE + SPIRITS

Will Sherer and I pose with one of the more esteemed dead soldiers.

Will Sherer and I pose with one of the more esteemed dead soldiers.

I’ve attended Aureole’s Wine Weekend for the past two years, and I remain convinced that this small, rather under-publicized affair, is among the best annual food and wine events in the country. The first year, 2009, I documented on this website, here. The second, 2010, on EscapeHatchDallas.com, here.

But I wanted to wait until this year’s schedule was announced to publish my full album of photographs from last year, so that everyone could see just what an impressive event this is. You can now see the full album here, on flickr. The number of pics was too many to post here!

This year's schedule: Click to enlarge

This year's schedule: Click to enlarge

I can’t recommend this event highly enough, especially since this year will not only feature three days of events hosted by William Sherer, MS, Chef Vincent Pouessel and Patissier Megan Romano, but also CEC Charlie Palmer himself, and a member of the Mondavi wine family. Yes, this price tag is not small, but when you break down what you get for the cost (including the hotel room) it’s a steal.

Aging Gracefully: Vintage Hollywood

June 29 2011No Commented

Categorized Under: FOOD + CHEFS, WINE + SPIRITS

photo-124This just in: Rich people drink wine, too. As I was reminded at the Vintage Hollywood Foundation’s annual fundraising wine & food fest (cum live auction), at a private home in the Pacific Palisades. This year’s beneficiary was the Ocean Park Community Center, a multi-program organization to help the less fortunate in Santa Monica.

La Fenetre's winemaker Josh Klapper

La Fenetre's winemaker Josh Klapper

Locals providing nice bites included Bouchon, Bar Toscana, Jar, Literati, Mozza, Simplethings pies, Tavern, and Waterloo & City. But perhaps more notable was the uncommon selection of California wineries pouring, including Clos Pepe, Hitching Post, La Fenetre, Terra Valentine, Malibu Family/Saddlerock and Ampelos, who introduced me to the surpisingly impressive wine of actor Kurt Russell, called Gogi.

photo-122

Just after MC Jim Thornton (from KNX-AM) announced that “The Wolf Blitzers” had made a significant donation, my friend Kasey (from Pourtal) kept looking at one of the Waterloo & City chefs trying to figure out how she knew him (I couldn’t help think it was a flirt—the guy was blond, six foot something, with piercing green eyes). But it turned out I was the one who knew him…sort of. It was actor Kip Pardue (Remember the Titans) who I’d interviewed ten years prior in my former Hollywood life, and remembered as a surprisingly grounded actor. Turns out he invested in Waterloo specifically so he could spend some time in the kitchen (and no, not as some vanity ‘celeb’ chef, he doesn’t work the tables). Guess that’s what actors call therapy…

Kip cooks.

Kip cooks.

I saw another former interviewee of mine, David Arquette at one point (he’s one of the charities’ chairs), but unfortunately Kasey wasn’t able to flirt with him for me to get a pic ;)

photo-123

Later, I was sucking down the chocs at Valerie confections when I pointed to something on the table for Kasey to try, and auctioneer Kevin Pollak (helping out Greg Proops) asked me if I was putting in a bid, for whatever they were auctioning at that moment, at 22,000.

valerie

“No! Nooooo!” I shot back, slapping my arm like Dr. Strangelove. I was tempted to say I’d double the bid if he’d do his Shatner impersonation, then realized that was a pretty dated request. Oh, and that was more money than I had in the bank.

auctioneers

It was the kind of event you see in a movie, where there’s a spy sneaking into the house to steal a piece of microfilm? Unfortunately, nobody uses microfilm anymore. Maybe the spy would settle for some gelato?

Ghetto Fabulous: The Gorbals at the Alexandria

June 29 2011No Commented

Categorized Under: FOOD + CHEFS

Vintage Postcard Back Inna Day

Vintage Postcard Back Inna Day

There are so many “hip” spots in LA these days, that I feel like I’m continually catching up. One I missed during it’s opening flush was The Gorbals, run by Top Chef winner Ilan Hall. So during a recent evening with reluctant DTLA queen Amanda Leon, I grabbed the chance to finally sit down there.

Na Gorbals, for those without access to the internet, is the grittiest part of Glasgow (where Hall’s father grew up), once even considered the worst part of the entire UK. The reference is obvious when you consider The Gorbals’ location, carved out of the lobby of downtown’s hundred-year-old Alexandria Hotel, once the jewel of Los Angeles, but for decades, a flophouse (though remarkably intact).

This is what the lobby looked in its heydey. Gorbals is just to the right...

This is what the lobby looked in its heyday. Gorbals is just to the right...

Glasgow’s Gorbals also happens to have been the Jewish Ghetto at one point, which explains some of the culinary reference points on Scottish/Israeli Hall’s everchanging menu, particularly his signature bacon-wrapped matzoh balls, and on the current menu, fresh matzoh (who makes fresh matzoh??) with favas, garbanzos and horseradish; gribenes (the kosher version of chicharones, made from chicken skin) and latkes with smoked applesauce.

One could dig further in to the Jewish/Alexandria connection with the fact that it was the gathering point for the nascent film industry in the silent era, many of whom were Jewish (and almost all of whom were immigrants), but hey, this ain’t a thesis paper.

The apparently everchanging menu is all “shared plates,” divided by ingredient source –pig, cow, lamb, sea, chicken—and then a section which is supposedly veggie, “herbivore.” Dishes generally range from $5 to $15, but without warning there will be larger treats such as (on the night I visited) a half-cut roasted pig’s head for $50 or a whole dover sole for $37. You have to organize your meal yourself ;-)

Nancy Drink (I think 'Nancy' is slang along the lines of 'Fruitcake" but don't quote me)

Nancy Drink (I think 'Nancy' is slang along the lines of 'Fruitcake" but don't quote me)

The bar is an equally serious part of the operation, which has tended to be overshadowed in most reviews I’ve seen. They have some intriguingly clever, deceptively simple house cocktails here, such as the two we sampled, Charlize TheRum (Starr African Rum, geddit, with mint and yellow chartreuse) and the Nancy Drink (Fair Trade Quinoa vodka, Carpano Antica, rhubarb bitters) –which was an “up” drink, served in a tumbler, with no garnish whatsoever. They also have a rotating selection of clever craft beers and a small but carefully curated wine list—on which everything is available by the glass.

Bacon-wrapped matzoh balls. One got snatched up before the camera even came out!

Bacon-wrapped matzoh balls. One got snatched up before the camera even came out!

This was a short visit, so Princess Amanda and I just shared the classic bacon wrapped matzoh balls and the Bahn Mi poutine along with our cocktails. The former was exactly as advertised: soft bacon wrapped around smallish matzoh balls, in a horseradishy béchamel sauce. More whimsical than impressive, to be honest, I think Hall might need some better Matzoh ball makers—these were fairly dense and flavorless (and yes, there is a difference between a good and bad matzoh ball) beneath the bacon and sauce.

GorbalsBahnMiPoutine

The Bahn Mi poutine though, was a messy delight, spicy Viet-inspired meat, vegs and sauces layered over fries that hit all five tastes at once: rich, savory, buttery, meaty, spicy, you name it. Umami for ages. Bingo.

Gorbals is essentially a gastro pub in the purest sense: tie one on and have some amazing bites in a loud convivial room without pretensions. I would love to come back with a feast of friends and order the whole menu…whatever it is that night.

Wonder if they’re taking reservations for Pesach?

Mother Dough… or Mother Something…

June 28 2011No Commented

Categorized Under: FOOD + CHEFS

Shhh... master at work

Shhh... master at work

Pizza has always been one of those ‘Holy Grails’ of LA food… for some reason, it’s generally accepted that no one can get it “right” here, though what defines “right” is an equal matter of debate. There is also no small irony in the fact that Wolfgang Puck was the chef who really influenced the whole world to take pizza more seriously (and more creatively)—and he did that from LA’s own original Spago. But let’s leave cultural insecurities alone for a second and get to the table.

Having been raised on Connecticut and New York City pizza, and sampled it in Italy as well (though not in Napoli, pizza’s mecca, I confess), I feel I have a pretty solid grounding on the subject, as I’ve written previously. I can also say that the state of pizza in LA now is generally a lot better than it’s ever been, and not just because of Batali & Silverman’s Mozza.

Regardless, it was hard for me to resist the hue and cry of pizza freaks about Mother Dough, which opened on the finally happening stretch of Sunset Blvd. in Los Feliz a few months ago where Umami, Covell and a few other destination spots do biz. In a simple brick-walled space with an open kitchen featuring a Napolitano wood-burning oven, Mother Dough’s concept is direct and dripping with “authenticity:” Before the pizza even gets to that 850-degree oven, it’s made from fine 00 flour, risen without refrigeration, the yeast “mother” taken from the previous days’ dough. It’s imperfect, on purpose. Then it’s topped, naturally, with sauce from San Marzano tomatoes and Italian buffala mozzerella. So, obviously it’s perfect. Imperfectly perfect, that is. Because, you know, it’s correct.

When I arrived, I was pleased to find that the guy at the door was attitude-free, and that my friend had actually managed to get a table pretty much immediately. Did I mention it was a Saturday night? That would never happen at Casa Bianca…

I want this guy making my pizza. #justsayin

I want this guy making my pizza. #justsayin

The menu, which comes on replica butcher paper, is simple and direct as well, something I appreciate. There’s a margherita and four varieties available (two veggie-based and without sauce, two with meat), six starters and two desserts. I rarely do this, but since I know it makes a difference, I asked the server both where the burrata comes from, and the charcuterie (interesting that they used the French word, instead of the Italian ‘salume,’ but whatever). In this regard, I know I’m in the minority: most chefs and diners alike seem to have a softness for imported burrata and salume. I find fresh burrata and housemade salume far preferable (except proscuitto).

The server told me she would check, but that the chef was typically very secretive about his sources. I thought that was kind of weird and old school; these days, everyone brags about their sources. At any rate, she revealed that the burrata was imported from Italy (“because you can’t get buffalo mozzerella made here,” which isn’t true) and the salumi was from a variety of local purveyors. That got my interest, so we ordered the salumi—sorry, the charcuterie—to start, and my guest wanted the duck crostini as well. We ordered the pizza with whiskey fennel sausage, making it a meat-lovers meal.

An authentic Italian pizza calls for wine—nothing fancy mind you, just a nice medium-bodied red. A quartino of decent rosso would’ve been fine. Only, Mother Dough doesn’t have any quartinos. In fact, their modest wine list (which is to be expected) barely had any Italians on it, was equally divided between whites and reds, and only offered about six by the glass. Six. Including only Californian reds, which I knew wouldn’t pair well with pizza. It was an interesting list, but it bore no relation to the food being served.

Luckily, my friend had just been to the wine store and bought a Sicilian red which she offered to open. The server informed the corkage fee was $15. Fifteen dollar corkage?? In a pizza place? With less than 20 bottles on the list? There’s only one word for that, and it’s not polite at the dinner table. We opted for the one Barbera on the list, which was $35 for the bottle, reasonable (even if I’m sure that’s still a substantial mark up), but regardless, basically the only decent choice available. If the chef needs some recommendations on Italian reds, I’d be happy to guide him. Or, of course, he could walk down the block to Covell.

The starters arrived, a very pretty and nicely varied charcuterie, with a particularly yummy paprika-laced salami, a house-made dill goat cheese, pickled cipolini, two proscuittos, and a somewhat dry pate. All in all, very nice, though at $12 they could’ve toasted the bread to order.

Salumi! Oh, sorry, Charcuterie.

Salumi! Oh, sorry, Charcuterie.

Duck crostini, a thin layer of duck proscuitto over ricotta spread on three toasts, was disappointing, though. Ricotta dominated over duck, and it felt very insubstantial for $8. We ate it, don’t get me wrong, it just seemed  skimpy.

Duck crostini. Magnified to show detail ;)

Duck crostini. Magnified to show detail ;)

Then came pizza. Piping hot. Saucy. Fragrant. Imperfectly perfect. And, all of 12” big. I can’t recall the last time I was served a 12” pizza in a restaurant—14” seems pretty standard, as far as I can tell, for Napoli style. The whiskey fennel sausage was great, meaty and succulent, in chewy chunks, though again, maybe a little skimpy. The tomato sauce is fresh, bright and sweet. The crust is thin and fairly light, actually. A bit less chewy than I would expect, and not terribly substantial in the flavor department either.

Mother has answered your prayers.

Mother has answered your prayers.

Don’t get me wrong, it’s a nice pizza. But is it a godlike lifechanging pizza? No. And I have had such a thing, too. In fact, I’d venture to say I preferred a pizza from Antica in Marina Del Rey over this, and have had two better Napoli-style ones in Vegas as well. Did I mention that this one cost $18? Because, that’s more than a 14” one costs ON THE LAS VEGAS STRIP.

Service was friendly and efficient. No complaints there.

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